In all seriousness, what happened to Winogrand's undeveloped negatives?
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I understand that Eastman Kodak kicked in some money/assistance in getting the unprocessed film developed. He also left numerous developed but unedited rolls, contact sheets of un-proofed rolls, proofs, etc. The Center for Creative Photography at Tuscon lists "20,000?" for him, the question mark suggests that they may not have been cataloged. I'm not sure where they all went. But, I suspect his hit ratio for the last 300,000 (of 1.X million estimated total) was very low. When he moved to California, he was prone to have a friend drive him around with a motorized back. Since his street habit was to shoot everything that moved and, in the car, everything was moving, well....