interesting that the IM guys prefer a Bridge/ACR workflow b/c it can be used across all
platforms...this seems huge to me, not having to have 2 or 3 software packages to work w/ different cameras...
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It might make a person wonder if they were doing it to make the digital tech's life easier, as opposed to getting every ounce out of each digital file, no matter what camera it was shot with. The day that I start doing things to make the digital tech's life easier is the day that I stop using a digital tech.
The whole test is just so screwy that it doesn't make sense. I have spoken with Michael about other matters, and he knows his stuff. That this "Shoot Out" would be set up with these parameters is just so wacky that it makes you wonder if there's not something else that's not being said. I cannot imagine.
Ironic, too, that I find that same "red in the eyes and lips" with my P45, that he did, but I find it in CaptureOne. I used the Color Editor, after a suggestion from a friend, to create a custom input profile that reduced that red/magenta in that way. Piece of cake in The Color Editor. You can save out that custom input profile, and set that to be the new default input profile in the Prefs, and then the issue is gone forever.
I would imagine too, that the Leaf guys are wondering why the final TIFF might not be processed in LC 10. Even with all its quirks and issues, at least the final file processing is known as pretty stellar.
I have limited experience with Hasselblad; cannot speak with experience there.
I wrote to Michael today, to try to get some clarification. It's just too strange to accept at face value.
This is one opinion only.
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