I know it is not the story you were necessarily looking to tell, but the black and white treatment, foccusing on the relationship between the building, road, and mist, really works for me. The color treatment leaves me feeling like I am looking into a lot of shade for a small amount of interest in the light, and focuses attention on the very blank sky. Were there more sunlit mountain, I think that there could be more playing with the juxtaposition between warm/cool light here, but trying to focus attention on the warm light draws the viewer to the edge of the frame right next to an expanse of blank sky, and ignores the interesting foreground you have set up, as my eye reads it.