If you don't know what or why you'd use Absolute Colorimetric rendering intent, don't use it .
Absolute Colorimetric rendering intent is my preferred setting for printing scenes such as the one attached. By the way, in deference to Mark Segal, I am retracting statements I made last October in re letting the printer (Epson P800) manage color. ... Photoshop is superior 99% of the time. Oddly, the first few images that I'd printed on the P800 had large patches of saturated blues and oranges (still barely within aRGB gamut). My unchecked enthusiasm resulted in a firestorm.
Seriously though, absolute colorimetric rendering intent, time and time again, is the better choice for the type of nighttime images I like to print. I typically make two master files: one for print, and the other for screen sRGB (with some additional tweaking). I use an Eizo for soft proofing and for inspecting sRGB conversions. Lastly, I check to see how the sRGB files appear on a current, but basic, Microsoft Surface Pro. The comparison is not dead-on, but it's reasonable.
The print of the shack photo is virtually identical to how it looks on both a Surface 3 and on a Surface Pro.