Hi Armand,
You can set the output size to 'optimum size', which retains the original combined tile sizes as much as possible, and you can choose from several resampling methods, more suited for rotated and distorted/warped image content than the straightforward resampling in e.g. PS.
In my long experience, PTGUI usually produces superior quality. It also offers the most flexibility, and workflow benefits (like working with templates, storing lens distortion and actual focal length parameters, etc.). It also uses memory resources very efficiently. I'm currently using the PTGUI Pro version 11 Beta, and that has again been improved a lot (and with a modernized GUI) over the already good Version 10.
Cheers,
Bart
Thank you. I did set an optimum size to my first attempt, I was wondering what it means. It is the fastest by far and very flexible in the projection settings.
I still have this mistrust as it couldn't cope with a shot that Photoshop could.
The big bummer is that it doesn't natively support my Fuji, only the Olympus and Nikon. With LR doing a pretty good job it has to be a really nice pano to worth the effort.
Stunning pano, Armand.
Thank you
Try converting the RAF to DNG using Iridient X -Transformer. I have used ptgui for a lot of years, for me it has always been the best program and very reliable.
Alan
Trialed Iridient a long time ago and while detail was better it was messing up the colors. Even as LR's film simulations are not entirely as jpegs they are a good starting point that I don't want to lose. I might give it another try, I'm not hopeful though.
All in all the current pano software is very good. Because of this a I can afford to bypass many steps for panoramas. The above is 37 shots handheld, 39 initially. I overlap around 50-60% each shot so there is still around 20-30% overlap between every other shot. This way I can discard almost half of the shots if they are subpar as long as they are not consecutive. Also because the software is so good many times I reexpose and refocus each shot if it's something at a longer distance, such as this particular pano which was shot at around 96 mm equiv.