There's an interesting problem that comes up when softproofing for these papers. I've noticed it on some matte and glossy papers that have high OBAs. It can't be fixed but fortunately only applies when "show paper white" is selected. It affects both Perceptual Intent and Relative Intent and is most likely to come up when you are soft proofing against a print in a viewing booth using the currently recommended D50 including D50 uV. That is, of course, exactly when you are most likely to select "show paper white."
It is particularly bad when you are trying to soft proof a high key image.
As an example I used Epson Ultra Premium Glossy which has a fairly high level of OBA. The M1 white point of the paper sheets I have is Lab (97.3 1.8 -9.2). which is pretty bluish.
The problem exists because the uV kicks up the B in RGB values beyond 255 and these are not showable on a monitor. For this paper, it's (244,246,265) on both standard and wide gamut monitors. But what gets shown is (244,246,255) which is about half as bluish. This drops the b* from -9 to under -5. But only on pure white.. When L* drops to 94, blue channel stays unchanged because it is already clipped and the b* climbs to -9. The result is a strange tint shift in the whitest areas that becomes correct only when the L* drops below about 93.
If you are using soft proofing and have these high key areas, expect the soft proof to fail. The only solution is to unselect "show paper white." Of course this will not show correct colors matching a light booth that has D50 w D50 uV levels but will at least not produce shifting color in these ranges.
A few notes:
The lower the white point L* value, the less the problem. It's the papers with a high L* together with OBAs that clip the blue channel.
For instance a white point L* of 94 won't cause any issue if the b* of the paper white is below (in magnitude) -10 because there is enough headroom on the blue channel.
I've included a few gradients that show the effect with Epson Ultra Premium Glossy. The image "Clip", when viewed in Photoshop shows what the "Neutral" looks like when soft proofed. In particular the gradient quickly becomes more bluish than the surrounding white starting to the left. This can also bee seen by j
The image "NoClip" is what the soft proof would look like if the blue channel wasn't clipped at 255. It is very slightly reduced in luminance to prevent the clipping. The overall image has the strong blue tint of
If you have M1 Profiles with similar high L* and OBA papers you can see the same effect soft proofing the "Neutral" image