Hi all. I wasn't quite sure where to post this, but I'm open to critiques and comments.
About three years ago, I began to convert my "Eighties Vancouver" portfolio, originally shot on medium format B&W film, printed and exhibited as silver prints, to digital files printed on rag papers with pigment inks (on an Epson 4900).
In many cases I feel the prints I'm getting now exceed the beauty of the originals -- whether that's due to a maturing eye or the superiority of modern technology. I know that can't be exactly illustrated by web versions; you'll have to take my word for it.
For those who don't know Vancouver, BC, it has been transformed by rapid development over the last three decades so many of the urban landscapes and buildings I recorded are now obliterated or changed.
This week, I was lucky to have
Vancouver Magazine publish
a profile of me and the work, which has attracted a fair bit of attention the collection that had lain almost forgotten in my archive for well over a decade.
At the time I made the photographs I was inspired by works of photographers in the documentary tradition, consumed by the perhaps presumptive idea that my old Mamiyaflex 6x6 camera might reach under the surfaces of things to reveal some hidden secret. Certainly the works of my heroes -- Manuel Alvarez-Bravo, Walker Evans, Eugene Atget -- had that effect on me.
I have the larger 80' Van portfolio online
here.
It is not my place to claim these images as "art," nor do I particularly care. I hope that they might be part of the continuum of good documentary photography. Comments and questions welcome.