Erik, you're failing to actually try and comprehend what it was that I was saying, and instead, allowing your emotions to take over!
I was not saying amateurs do not deserve service as good as a pro especially if they pay for it. But less, much less, amateurs are concerned about receiving the same quality of service that a professional needs. Therefore, companies that focus mainly on amateurs tend to focus, to a less extent, on service. Hence, since Leica was mainly a consumer company, I am not surprised their service is less then spectacular.
Now if you have a problem with this, buy somewhere else, just like any professional would do.
I believe everything that is said here about the S lenses and Leica service, though I use contax lenses on my S2 and never had an issue.
I also have the Leica 120 Macro and zero issues also and though I don't use the S2 the way I use other cameras, I do shoot a lot of frames with it and the 120 so maybe I've been lucky.
I also love the dng file that works in about any post production suite and the lemo connectors that are rock solid. Also the fact I can put on H or Contax lenses makes for a versatile system.
I'll use the S2 next week and I love the camera, but Leica is a strange company. I was at the Mayfair store in London before I bought the S2 and they treated me like Royalty, though Steve Hendrix hooked me up with a great deal on an S2 and the 120 and two contax adapters so I went with Steve.
The Mayfair guy called me and asked when I was buying and I explained I had purchased and why and you'd think I called his mum a bad name, cause he practically hung up on me.
Leica service is dead slow early with my m8 and my 90mm it wouldn't focus with accuracy so I sent it in and it took about 3 months, it came back same issue exactly the same so I sent it back and a month later got it and it worked.
Leica sells cameras as professional equipment and they need the follow up to make it right.
But Canon can be frustrating also. CPS is fast, but I let my membership lapse, just didn't think about it during a busy time and last month had a small issue with a 1dx and signing up again is painful.
It took 4 phone calls and was told I needed all the serial numbers of the "qualified" equipment to reach a certain amount of points and have to drive to the Hollywood CPS to apply. The last guy I talked to was knowledgeable and trying to help but as he said "rules are rules".
Anyway I love Leica cameras and yes some people find them glitchy, but their design philosophy and feel is awesome, plus the look of the file is pretty amazing to me. Next weeks project will be shot with the S2 and though I have backups I don't think I'll need em". (knock on wood)
Given that, reading this lens gear thing has saved me some money. I was going to buy three more Leica lenses, but will just stay with what I have.
In regards to this amateur vs. pro discussion, some people get their knickers in a twist. I like Eric but he's always sensitive about this and I'm sure I'll catch heat just by mentioning it. That's why I don't do twitter. And let's be real. If it's memories 99% of whatever your shooting at a family get together has been covered by 200 mobile phone snaps.
I know shooting for yourself is important to the photographer, but when you've dropped 100 large on a project and you have a room full of people counting on you, there is a monetary difference and you don't just lose the memories, you loose a lot more than that and once again that's not a knock on a non pro.
But nothing worries a client like a camera problem. They assume (and rightfully so) that the last problem a professional photographer should have would be with a camera.
IMO
BC