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Author Topic: Sale of the Century  (Read 791 times)

seamus finn

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Sale of the Century
« on: June 25, 2016, 05:42:56 am »

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Jeremy Roussak

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Re: Sale of the Century
« Reply #1 on: June 25, 2016, 07:09:15 am »

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Amusing. What's behind the road sign?

Jeremy
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RSL

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Re: Sale of the Century
« Reply #2 on: June 25, 2016, 09:12:00 am »

Good shooting Seamus. An unusual situation for street; a situation where color makes all the difference.
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Eric Myrvaagnes

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Re: Sale of the Century
« Reply #3 on: June 25, 2016, 10:11:21 am »

It sure has ambiguity.
I'm curious about what kind of "regulation" is referred to.
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-Eric Myrvaagnes (visit my website: http://myrvaagnes.com)

seamus finn

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Re: Sale of the Century
« Reply #4 on: June 26, 2016, 09:38:40 am »

Jeremy and Eric,

I'm sorry now I didn't work the scene to reveal what's behind the sign - lesson learned. But then again, revealing everything might take away some of the puzzle.

Russ, I'm beginning to get more into colour for 'street', contradicting my long-held and mistaken belief that black and white is the only way for this genre.
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RSL

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Re: Sale of the Century
« Reply #5 on: June 26, 2016, 09:42:16 am »

And I just posted "Bowling," which would have lost its kick in B&W.
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francois

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Re: Sale of the Century
« Reply #6 on: June 27, 2016, 09:31:59 am »

It's puzzling and I like it.
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Francois

Rob C

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Re: Sale of the Century
« Reply #7 on: June 28, 2016, 06:37:49 am »

Jeremy and Eric,

I'm sorry now I didn't work the scene to reveal what's behind the sign - lesson learned. But then again, revealing everything might take away some of the puzzle.

Russ, I'm beginning to get more into colour for 'street', contradicting my long-held and mistaken belief that black and white is the only way for this genre.


Be careful, Seamus.

I think that colour takes it out of street and into almost pure graphics, which is not street as per classical understanding of it.

It's part of the attraction - for me - of Saul Leiter, whose b/white I consider pure street, yet his colour not and, instead, delightful abstraction. He started non-religious life as a painter, which he kept up all his many days, and perhaps the sense of abstract graphics was always going to run through, whatever else he did.

I think both disciplines are perfectly possible within the same person, as he proved, but I don't think they are the same thing. I do not see the image in this thread as street at all. To me, it's graphics.

Rob

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