Stamper's "Hello There" reminded me of this one.
At first glance, people in the background being larger than those in the foreground create a bit of cognitive dissonance for a split second... then you realize it's just a painted wall. This feeling would have lasted longer if all characters were painted as well as the smoking guy and his companion. Stampers's "Hello There" does not have that, because of a different perspective.
Interesting shot, Russ, thanks.