Yes, the other challenge for stills guys shooting video is getting the hang of grading, especially if you don't want it to look flat and indie-film like, but more like the punchy stills you have just shot. Videos on Dslrs/Sonys is essentially thousands of jpegs so there's not much room to push them around before they get grainy and highlights blow out etc. I'm keen to see what the video will be like on the Hasselblad H6, because the specs mention it shoots RAW, and can be processed in Phocus before transcoding to Prores, so it will be hopefully a much more flexible file and a more familiar process for photographers.