Hi,
since many years I print using my EPSON 3800/3880. Usually I do some capture sharpening in Lightroom, maybe some creative sharpening, and finally I resize the image and do output sharpening using Lightroom export. This all works fine.
Now I would like to prepare images for a book. This book will be printed on a HEIDELBERG offset press using coated paper sheets.
The press input will be a PDF file exported with InDesign, using a CMYK color profile (actually ISO COATED V2) as well as a resolution of 300 ppi.
Now I am a little unsure about the right workflow for the book preparation. I am aiming at maximum sharpness for the my RGB images. Is the following workflow adequate?
(1) Do usual stuff in Lightroom / Photoshop
(2) Export the image in Lightroom
- using the exact width & height in centimeters as required by the InDesign Layout
- with resolution 300 ppi
- and this output sharpening: "Sharpen for: Glossy Paper", "Amount: Standard"
(3) Open this image in Photoshop , convert to color profile ISO Coated V2
(4) Place the image in InDesign at the appropriate location
(5) Export the book as PDF in InDesign (no color profile change since all images are already in CMYK)
Does this make sense?
Is there a special sharpening procedure for CMYK images?
Thanks.
Manfred
H iManfred,
I work a lot with cmyk images that end up in books or manuals that I design and produce. Your procedure is fine, with some exceptions.
If I use photographs that I have made, I start in LR, just like you do, and once I am happy with the image I "edit a copy in PS" (not an export)
For images provided by clients, I go straight to PS.
In PS, I make all the changes that are required for the final photo that is to be used in InDesign:
Image size -- exact final size is important for the sharpening step
Duplicate image
Soft-proof with the cmyk profile your printer sends you, or the standard swop
Adjustment layer for unsharp mask
-- and here, I learned the sharpening technique from
Image Sharpening by Fraser and Schewe (pages 274-275):
for typical 150 line halftone, coated paper:set the Luminosity of the layer to 60%, Blend if (gray) 10/30 and 230/250; sharpening amount 132, Radius 1.5, Threshold 0. For uncoated paper, the authors recommend an Amount of 158.
Save layered file
Flatten layers
Image mode: cmyk
Save the cmyk file, it is now ready to go into InDesign
In earlier days, I followed recommendations from an Agfa manual, but I have found that the information in the Fraser/Schewe book has given me, and my clients, very good results. There may well be newer information on the best technique for preparing files for offset printing, but this one works for me.
There is a 'but': Heidelberg -- and other press manufacturers -- no longer means just offset, they also make 'digital ' presses (photocopiers on steroids) that do not use halftone screening. For this typeof printing, I pretty much sharpen as i do for my Epson printing.
In any case, getting a copy of
Image Sharpening (the new editions are by Schewe) would be a good investment.
Hope this helps.
Jean-Michel