A couple of thoughts, first, that is a very clean file @ 2 minutes for a 280, congratulations.
I may have this wrong, but LR does not do a great job on stuck pixels, period. I have never figured out why Adobe can't remove them from any camera. C1's "single pixel noise reduction" slider is a real asset in long exposures as it can pull out all the stuck pixels at a very low loss in overall details. However I believe it only works on the raw files, so an imported tif from LR it won't work, but I have never tried that. Overall the two files are very clean except for the stuck pixels, at least to my eyes.
All DSLR's offer the long exposure noise reduction, however the effects are seen on camera, i.e. you can see the effects after the dark frame is finished. I have always assumed that the mapping was being done in the camera or digital back. But your images proves this wrong, as if that was the case, LR should be able to open the file sans the stuck pixels. So there must be some communication going on with C1 and the raw file. I noticed you had the single pixel at 49 in C1 so C1 is working on the stuck pixels in your example. It would be interesting to see what your C1 example looks like with the single pixel noise reduction set to 0.
In other testing I have seen, with the IQ260, at even 6 seconds, to 20 seconds, there were still a lot of stuck pixels showing in the C1 until the single pixel noise reduction was enabled. So I am not really sure what the dark frame does with C1 and raws.
However it's clear to me that LR cannot currently do anything with stuck pixels, as I have this same issue with all my cameras, Phase included in LR.
I still always work with C1 for IQ260 images, but mainly due to the fact I am usually shooting with a tech camera and thus have LCC"s to process, C1's workflow is just better on this. Many on this site seem to hold the opinion that LR can't handle the Phase raw files very well, which I disagree with. I love the look that LR can render on both my P45+ and 160 and 260 files, non-tech camera. But when it comes to long exposures with a Phase back, it's C1 for me always.
Paul