I've considered the option of "rebuilding" existing DCPs with DCamProf. The usage case would be profiles that already are colorimetric accurate profile but lack a desired tone curve or look operators BLE, black subtraction etc. Another could be for cross checking.
I'm assuming this would require a script to read the source DCPs data and re-format it into the DCamProfs native .json format?
If I understand you correctly you want to take any DCP (not necessarily made by DCamProf) which has a good colorimetric base but then has the standard Adobe curve slapped on top without caring about the color appearance distortions it makes, and then make a new profile which uses that colorimetric base but uses DCamProf's netural tone reproduction operator to add the curve (and possibly add look operators too).
To support all cases you would need to make something that transforms DCPs to the native .json format, which for LUTs would be quite complicated and a 100% 1:1 match is not always possible.
However in some cases you can do it with some hand-editing. The key is that the original DCP is structured such that the colorimetric base is in the HueSatMap and the LookTable is not used (or if used applies a crap look you want to strip away). Then you make a DCamProf profile, for any camera, with the desired look. All tone reproduction and look operator stuff will be stored in the LookTable + tone curve.
Then you copy the LookTable and Curve elements into the original profile, but keep the HueSatMap and matrices. By using dcp2json and json2dcp you can edit them as text files.
Some/many DCP profiles are however not made in that way, but there is no HueSatMap but instead only a LookTable. You could then just rename LookTable to HueSatMap and merge as above, but keep in mind that the HueSatMap is applied before exposure adjustment and LookTable after but it in most cases that will probably not matter.
(Using the Looktable instead of the HueSatMap is often used to mimic an ICC profile pipeline, as ICCs are generally applied after exposure adjustment rather than before. Adobe Lightroom has this design for most of their "brand-specific" profiles which I think is made to mimic in-camera JPEG looks, not sure though as I have never compared them myself).