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 71 
 on: May 05, 2016, 11:38:24 AM 
Started by gazwas - Last post by gazwas
not exactly the first...

Its not exactly anything yet......  :P

If there are no other TTL studio strobes out there, then I'd consider this the first if it did actually work with an H6D. Comparing a studio strobe to five speedlites gaffa taped together is not exactly the same thing in my opinion.

 72 
 on: May 05, 2016, 11:29:14 AM 
Started by gazwas - Last post by gazwas
Very interesting. Who is hosting this event Gazwas, Procentre or Teamworkphoto? I might come along.

As far as I'm aware its bron/Hasselblad UK hosting the event.

I'd love to go for a nose but frightened I'd spend too much so best avoiding temptation!

You can register for the event here.

 73 
 on: May 05, 2016, 11:22:41 AM 
Started by mseawell - Last post by francois
Nice, there's a sense of power that comes from those rapids.

 74 
 on: May 05, 2016, 11:17:01 AM 
Started by jtread - Last post by jtread
Hi All,

I am looking for someone or someone who knows someone who has extensive experience in Two Stage Masking. I have a few questions that I need answered about the workflow. I look forward to hearing from you.


 75 
 on: May 05, 2016, 11:04:17 AM 
Started by kevs - Last post by kevs
I use Media Pro, to view certain folders of images, and I recently scanned a folder of images from 35mm film, jpegs about 2mb each. In Media Pro, I'm getting this annoying  2 second delay while in moving from photo to photo in media view (The image renders, from pixalated to solid). It's very odd, as I have images in other folders that large or larger without the delay at all. I'm stumped. Any ideas to help? Thanks.

 76 
 on: May 05, 2016, 10:40:53 AM 
Started by ErikKaffehr - Last post by eronald
Thanks you both!

Best regards
Erik

Absolutely. Always helpful, never impolite. I think Erik should be used as personality model for Google's version of Siri :)

Edmund

 77 
 on: May 05, 2016, 10:38:59 AM 
Started by Hywel - Last post by Manoli
What would be your #1 lens request from (full frame) CSC system manufacturers?

Interesting question.
Off the cuff answer :
(1) 40-105 f/2. No aspherics, 'bootiful' bokeh, pro-grade build (more Otus than Batis) with 'Batis' resolving power and up.
(2) 180 f/2.8 The only 180's left are a Nikon D (with exposed rear diaphragm) and vintage Leica-R's (both APO and non-APO). Canon have a 200 which is a 20-yr old design but still a kludge on a CSC


I've never warmed to the 135 FL. Either too long or not long enough. The 70-200's are everywhere but, for me, destroy the svelte attraction and discreet nature of the CSC. No-one enjoys having a bazooka pointed at them plus it's cumbersome. If I'm going that large then I'll go for a 200 f/2 but I'd agree not an ideal match for a CSC ... 

 78 
 on: May 05, 2016, 10:35:47 AM 
Started by gazwas - Last post by AlterEgo
Judging by the close relationship bron has with Hasselblad, a TTL attachment for the new H6D camera would also be the first of its kind for MFD

not exactly the first... for example radio (not optical) transceivers exist for Ricoh Pentax that support P-TTL over radio... and naturally they work for Ricoh/Pentax 645* MF dSLR cameras ... now you can argue that there are no P-TTL compatible studio strobes yet - only speedlites, but still on camera side you have this "TTL attachment" and they do support HSS as well... so by assembling a pack (to compensate for lower power output) of Ricoh Pentax compatible TTL speedlites you can have TTL and 1/4000 HSS with Ricoh Pentax MF 645* dSLRs , even x-sync w/o leaf shutter lenses is way slower ...


 79 
 on: May 05, 2016, 10:32:58 AM 
Started by stamper - Last post by petermfiore
That was exactly what I meant. :)

You Succeeded...

Peter

 80 
 on: May 05, 2016, 10:27:48 AM 
Started by madshutter - Last post by sdwilsonsct
the soft, pastel pre-dawn light helps mitigating the power of their imposing presence.

Yes, good timing. Nice work, Vieri.

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