Luminous Landscape Forum

Raw & Post Processing, Printing => Digital Image Processing => Topic started by: plugsnpixels on May 22, 2013, 03:57:46 pm

Title: New Topaz plug-in
Post by: plugsnpixels on May 22, 2013, 03:57:46 pm
Called Topaz Clarity (http://"http://www.plugsandpixels.com/clarity.html"). Includes 20 presets for Landscapes, among other subjects.

"Topaz Clarity is the ultimate tool to create compelling and powerful images by intelligently enhancing contrast and clarity with absolutely no artifacts or halos. With just a few clicks you can easily manipulate your micro, mid-tone and overall contrast, transforming your image from ordinary to extraordinary, while maintaining the natural feeling and tonality you are after."
Title: Re: New Topaz plug-in
Post by: David Sutton on May 22, 2013, 05:35:30 pm
If it's like Nik tonal contrast, one unexpected use I've found for a plug-in like this is to find those hard-to-see dust spots that usually don't show up until I've printed.
Title: Re: New Topaz plug-in
Post by: Gulag on May 22, 2013, 05:43:18 pm
If it's like Nik tonal contrast, one unexpected use I've found for a plug-in like this is to find those hard-to-see dust spots that usually don't show up until I've printed.

if that's the case, you can add a solar curve for *free* in either photoshop or gimp for that.
Title: Re: New Topaz plug-in
Post by: plugsnpixels on May 22, 2013, 06:07:33 pm
There's a software solution (http://plugsandpixels.com/sensorkleen.html) for batch eliminating sensor dust in post processing (as opposed to just identifying it).
Title: Re: New Topaz plug-in
Post by: David Sutton on May 22, 2013, 11:23:36 pm
if that's the case, you can add a solar curve for *free* in either photoshop or gimp for that.
That's a new one on me! I looked it up and created a solar curve and on the the whole it works for dust bunnies, but it does miss any spots located on the peak of the curves. On my screen those areas are close to white, and the mid-tone-contrast-on-steroids-plugin works much better. See screenshots:
However I can see a use for such a curve to check my edits. 


Plugsnpixels, thank you for the link. I guess LR will do that as well.
Title: Re: New Topaz plug-in
Post by: Schewe on May 22, 2013, 11:38:54 pm
I guess LR will do that as well.

LR5 has a spotting pre-visualization option...
Title: Re: New Topaz plug-in
Post by: David Sutton on May 22, 2013, 11:46:34 pm
...... cool bananas   :)
Title: Re: New Topaz plug-in
Post by: Gulag on May 23, 2013, 12:01:07 am
That's a new one on me! I looked it up and created a solar curve and on the the whole it works for dust bunnies, but it does miss any spots located on the peak of the curves. On my screen those areas are close to white, and the mid-tone-contrast-on-steroids-plugin works much better. See screenshots:
However I can see a use for such a curve to check my edits. 


Plugsnpixels, thank you for the link. I guess LR will do that as well.

There are infinite number of Solar Curves that you can create on the fly depending on the need. How many did you tried in your case?
Title: Re: New Topaz plug-in
Post by: David Sutton on May 23, 2013, 12:23:38 am
There are infinite number of Solar Curves that you can create on the fly depending on the need. How many did you tried in your case?
One.
I suppose the trick is to save a second one with the sine curve shifted 18 degrees.
Title: Re: New Topaz plug-in
Post by: digitaldog on May 23, 2013, 10:09:44 am
LR5 has a spotting pre-visualization option...

And clarity! Do the job at the raw processing stage if you can!
Title: Re: New Topaz plug-in
Post by: Bart_van_der_Wolf on May 23, 2013, 12:39:51 pm
And clarity! Do the job at the raw processing stage if you can!

Hi Andrew,

As I understand it, the LR Clarity control is basically a mid-tone contrast boost, maybe with a preference for a certain level of detail. It is applied in post-processing.

The Topaz Labs Clarity plugin gives much more control over the contrast adjustments in several regions of the tonecurve, and adds edge-aware, or tone-aware, masking capability. That allows to apply the effect only locally if that works better than a global adjustment. It also doesn't produce halo artifacts, unlike LR clarity if too much is added.

The TL Clarity plugin has a tendency to produce too dark shadows, but it also allows to open them up again with a separate control. I'm not yet fully convinced that I will purchase it, but that may change when I test it a bit longer and it becomes more intuitive to use.

Cheers,
Bart
Title: Re: New Topaz plug-in
Post by: digitaldog on May 23, 2013, 12:41:55 pm
As I understand it, the LR Clarity control is basically a mid-tone contrast boost, maybe with a preference for a certain level of detail. It is applied in post-processing.

Applied "post processing"?

Clarity (in LR) is sort of a mid-tone contrast boost but not solely limited there. If that matters.
Title: Re: New Topaz plug-in
Post by: Bart_van_der_Wolf on May 23, 2013, 12:45:42 pm
Applied "post processing"?

After the Raw conversion, everything is post-processing of the RGB data.

Cheers,
Bart
Title: Re: New Topaz plug-in
Post by: digitaldog on May 23, 2013, 12:46:54 pm
After the Raw conversion, everything is post-processing of the RGB data.

Right, but want makes you say Clarity is post processing?
Title: Re: New Topaz plug-in
Post by: Vladimirovich on May 23, 2013, 03:58:40 pm
Right, but want makes you say Clarity is post processing?
everything after demosaicking is postprocessing
Title: Re: New Topaz plug-in
Post by: digitaldog on May 23, 2013, 04:01:02 pm
everything after demosaicking is postprocessing

OK, fair enough. So the same moves in the raw processor produces the same quality and flexibility doing it after the rendering in the raw processor? Or there's no difference?
Title: Re: New Topaz plug-in
Post by: Vladimirovich on May 23, 2013, 07:16:01 pm
OK, fair enough. So the same moves in the raw processor produces the same quality and flexibility doing it after the rendering in the raw processor? Or there's no difference?
it certainly depends... it might be that doing something in a particular inner working colorspace at a certain stage in raw converter's processing pipeline after demosaicking will be better than doing that in some image editor after you save/export something from that raw converter as 8bit jpg sRGB file w/ a strongest lossy compression... but who says that ACR/LR have the best ever "clarity" (quotes intended) vs alternative solutions (including specialized plugins beyond Topaz) provided that we have sufficiently good material after the raw converter (not necessarily LR/ACR) ?
Title: Re: New Topaz plug-in
Post by: digitaldog on May 23, 2013, 07:26:36 pm
but who says that ACR/LR have the best ever "clarity" (quotes intended) vs alternative solutions (including specialized plugins beyond Topaz) provided that we have sufficiently good material after the raw converter (not necessarily LR/ACR) ?

No one (yet <g>).

Title: Re: New Topaz plug-in
Post by: Bart_van_der_Wolf on May 24, 2013, 06:20:23 am
Right, but want makes you say Clarity is post processing?

Hi Andrew,

If one were to apply non-linear contrast adjustments prior to demosaicing, that would create huge problems. That's why it much more practical to do these adjustments on post-demosaicing data. Once the data is in RGB space we can post-process it any way we want. Unless someone like Eric Chan tells us it is not, we can consider Clarity as post-processing that takes place on the demosaiced RGB data.

One common characteristic of images that span a large range of contrast, is that they may look rather flat, lifeless. Instead of a simple S-curve like adjustment (Clarity) mostly to the mid-tones, which can lead to ugly halos if pushed too far, the Topaz Clarity plugin is much more clever, and it allows to (adaptive to local contrast) adjust gradients that span different ranges of contrast and different size.

It is difficult to describe the effect, because it adapts to local contrast which is different in every image, so it's best to try for oneself, on one's own images. The real-time update of the preview helps to judge the creative effect quite well. As always, it's easy to go completely overboard with such tools, but with the proper amount of restraint it can do wonders in the hands of a master.

Here is a demo video (http://lightworkshops.com/blog/2013/5/22/topaz-clarity-demo-top-five-features) that does a reasonable job of showing the different features.

Cheers,
Bart
Title: Re: New Topaz plug-in
Post by: Vladimirovich on May 24, 2013, 09:43:41 am
If one were to apply ...  contrast adjustments prior to demosaicing, that would create huge problems.
such as ? just curious...
Title: Re: New Topaz plug-in
Post by: digitaldog on May 24, 2013, 09:46:43 am
Here is a demo video (http://lightworkshops.com/blog/2013/5/22/topaz-clarity-demo-top-five-features) that does a reasonable job of showing the different features.

Thanks, very interesting but it begs the question: why do the original's or 'before" look so ugly and in need of contrast fixes? The landscape image is flat, flat, FLAT, who rendered it from raw so poorly <g?

Masking controls with brushes are very cool! Seems worth $30 although I'd still attempt to do all this work parametrically in my raw converter.
Title: Re: New Topaz plug-in
Post by: Bart_van_der_Wolf on May 24, 2013, 11:15:42 am
Thanks, very interesting but it begs the question: why do the original's or 'before" look so ugly and in need of contrast fixes? The landscape image is flat, flat, FLAT, who rendered it from raw so poorly <g?

Hi Andrew,

I agree, although one could also say that it is perhaps somewhat possible to make a silk(ish) purse out of a sows ear after all ;)  It would certainly help to produce a better Raw conversion as a starting point, although it is also a matter of speed. How long does it take someone to achieve the level of detailed tone-mapping, if at all achievable? Excellent results can be achieved with both approaches, but I do like the level of control that the Plug-in offers. It also allows to use its functionality outside of Photoshop or Lightroom, for those who use other plug-in aware applications.

Quote
Masking controls with brushes are very cool! Seems worth $30 although I'd still attempt to do all this work parametrically in my raw converter.

There are indeed benefits to doing as much as possible in parametric mode, if possible. The plug-in makes it quite easy to e.g. apply a linear gradient mask to a sky, and adjust the mask with edge-awareness at the sky-line. I also find myself tweaking some local colors more than I used to, perhaps because it is so easy to see the before and after results. The interactivity and fast preview updates help to explore the creative options. It's also simple to create snapshots at different stages, and they will automatically be removed when the filter is finally applied, the house-cleaning is automatic.

Cheers,
Bart
Title: Re: New Topaz plug-in
Post by: digitaldog on May 24, 2013, 11:53:01 am
I agree, although one could also say that it is perhaps somewhat possible to make a silk(ish) purse out of a sows ear after all ;)  It would certainly help to produce a better Raw conversion as a starting point, although it is also a matter of speed.

On this end, it's always faster to move a few sliders in a raw converter then trying to 'fix' the lack of such moves later in Photoshop.

We can also under expose and over develop film, fix stuff in the darkroom etc. I've always been one to 'fix' or produce the best results as early on in the process as possible. I find that nearly always results in less work, better data and results. I recall very early in the Photoshop days, photographers would be 'on set' and instead of moving a light an inch to reduce a reflection somewhere, they would just say "I'll fix it in Photoshop". Early on I found nothing was faster in Photoshop than fixing the issue (if possible) when making the image or later rendering from raw. Sometimes the only fix is Photoshop but a lot of fixes are on the set, later in the raw converter etc.

And with the masses now wondering about their future use of Photoshop, doing more outside that product and earlier in the workflow might be a good idea on top of the other reasons above.
Title: Re: New Topaz plug-in
Post by: Vladimirovich on May 24, 2013, 08:29:36 pm
And with the masses now wondering about their future use of Photoshop, doing more outside that product and earlier in the workflow might be a good idea on top of the other reasons above.
except some poor souls who want ACR and that means having (and being shoved to subscription model) PS (unless you agree w/ more limited ACR in PE).
Title: Re: New Topaz plug-in
Post by: ButchM on May 24, 2013, 09:00:22 pm
except some poor souls who want ACR and that means having (and being shoved to subscription model) PS (unless you agree w/ more limited ACR in PE).

Agreed ... it has become more than apparent that Adobe wishes us to become enslaved to their workflow (regardless if they may appear to be more efficient on the surface)  ... so in that respect, I don't think it is quite necessary to to disavow alternative options that could get us to the final result, though they may be less efficient in the short term .... rather than to succumb to agreements that may favor one developer over another ...
Title: Re: New Topaz plug-in
Post by: Gulag on May 24, 2013, 11:07:04 pm
IHP can achieve almost the same results if you can fix Photoshop's handicapped implementation of its HP first.
Title: Re: New Topaz plug-in
Post by: Rand47 on May 25, 2013, 09:30:37 am
Bart,

Thanks for sharing the video link.  Very impressive.  The range of control & masking make it very attractive.

Rand
Title: Re: New Topaz plug-in
Post by: Bart_van_der_Wolf on May 25, 2013, 08:12:27 pm
Bart,

Thanks for sharing the video link.  Very impressive.  The range of control & masking make it very attractive.

Hi Rand,

You're welcome. The ease of masking also allows to only affect smaller portions of the image, which can be used when working in a layer enabled application.

An example of such use can be in smoothing skin in portraits. A negative Micro-Contrast and/or Low-Contrast adjustment can help, and the skin mask can be built with the Color Range control. Whether the result is satisfactory depends on the specific skin issues that need to be addressed (some healing will usually still be required).

Cheers,
Bart
Title: Re: New Topaz plug-in
Post by: Bart_van_der_Wolf on May 26, 2013, 07:12:31 am
Hi folks,

I have been asked in another venue about the differences between a traditional USM with High Radius (50+) and Low Amount (<10%) setting as a generic local contrast adjustment and this new Topaz Clarity plugin. Perhaps a simple demonstration on a predictable subject can clarify the differences a bit more.

Topaz Clarity treats sharp edges by enhancing the psychological/physiological Mach band (http://en.wikipedia.org/wiki/Mach_bands) effect, and mimics the psychological effect of simultaneous contrast.

Here is how the Topaz Clarity Low Contrast slider set to 50 adjusts a normal step wedge:
(http://bvdwolf.home.xs4all.nl/temp/TLClarity-Low=50_MachBand.png)


Compare that to a HiRaLoAm below, which has a fixed effect depending on feature size together with the Radius setting and introduces a small halo overshoot immediately at the edge of the transition which then becomes linear, where Topaz Clarity allows to address several sizes and gradient ranges, and produces a more curved Mach Band transition or a straight transition that varies depending on the brightness level without halo overshoots. The halo overshoots will be easy to see on large format output, but Topaz Clarity avoids that.

The effect may be subtle for untrained observers, but is a well known phenomenon e.g. with many Radiologists who were trained to read Radiographs (X-rays) on film. In regular photochemical film processing it is often referred to as acutance caused by local depletion or lateral inhibition.

Here is how a USM with High Radius (50 pixels) and Low Amount (10%) changes the stepwedge.
(http://bvdwolf.home.xs4all.nl/temp/TLClarity-HiRa=50LoAm=10_Halo.png)


Cheers,
Bart


Title: Re: New Topaz plug-in
Post by: Jack Hogan on May 26, 2013, 10:23:36 am
Clarity as implemented in PS (whether through HP or through Hi Radius Low Amplitude USM) is a very rough tool that according to Vincent Versace in Welcome to Oz 2 'locally targets midtone image structure'.  Then Nik Color Efex Pro 4's (http://www.niksoftware.com/colorefexpro/usa/index.php) Tonal Contrast was developed, aka clarity on steroids, which allows us to selectively and separately adjust 'not only the midtones but the highlight and shadow areas as well'.  It also adds saturation control and shadow/highlight protection.  It sports Nik's outstanding Control Point (masking) technology and can be combined with any of the other filters in CEP4.  Tonal Contrast often works at default settings, with the main tweaks typically being opacity (waaay down) and possibly saturation.  A very useful tool when used in moderation.

Enter Topaz Clarity.  The question many of us have is whether it is better than Tonal Contrast.  My early answer is that I can get very similar effects from both.  Clarity has many more controls (34 sliders in all!) which means that it could give 'better' or more varied results - it is on the other hand harder to use imo and requires a longer learning curve.  For instance it controls Micro/Low/Medium/High contrast separately - I am struggling to refer those to specific areas in the image.  I am also not a fan of the existing presets, which I found myself tweaking a lot to get the desired result.  The built-in Hue Saturation and Luminance filter is nice (don't we have that in ACR?) as is the masking capability (a toss with Control Points, which I think I prefer).

Despite the fact that I am a big fan of Topaz Plug-ins (InFocus, Denoise, ReMask and B&W Effects being often used favorites) I can't help thinking that at times they try to do too much in one plug-in, and that they would be better served breaking them down into smaller, easier to understand and use, narrower purpose units (like CEP4 does?).  BTW, Tonal Contrast is the only filter of the Nik Collection I use.

Contrast is everything in photography.  An image without contrast contains no information.  So the ability to control contrast is key to a photographer's ability to convey his/her message.  TC does a decent job quickly.  Topaz Clarity could perhaps do a better job but with a lot more work.  I need to play with it on many more images before I decide whether to buy it or not.

Jack
Title: Re: New Topaz plug-in
Post by: Bart_van_der_Wolf on May 26, 2013, 12:00:18 pm
Enter Topaz Clarity.  The question many of us have is whether it is better than Tonal Contrast.  My early answer is that I can get very similar effects from both.

Hi Jack,

You are right, we already have many tools available for efficiently improving our perceived image quality. We can even do it less efficiently, by e.g. dodging and burning on luminosity masked selections (http://goodlight.us/writing/luminositymasks/luminositymasks-1.html) of our images.

Quote
Clarity has many more controls (34 sliders in all!) which means that it could give 'better' or more varied results - it is on the other hand harder to use imo and requires a longer learning curve.  For instance it controls Micro/Low/Medium/High contrast separately - I am struggling to refer those to specific areas in the image.

I agree, it also took me a day of experimenting to get a feeling for what I needed to do to achieve my intended goal. The difficulty is that the controls have a somewhat different effect depending on the local image content, the effect is adaptive. It would also be a mistake to think that this tool will be all that is required, it is not.

IMHO, (Topaz) Clarity is the final step, after prior CA/detail/noise adjustments, and more basic Color Balancing and Tone-mapping (making sure that shadow and highlight detail is present and overall color and contrast are where they should be).

Quote
I am also not a fan of the existing presets, which I found myself tweaking a lot to get the desired result.

Be glad, it will allow you to set your work at a different level compared to the larger audience which Topaz Labs has to satisfy. Besides, using some of the less extreme presets, but at a reduced opacity will often get you pretty close to very nice results. They are also a good tutorial to consider (or reject) for you personal presets.

For example, creating a nice Landscape preset for different seasons, with an additional HSL Pop variant for the specific seasonal colors, can give very fast results that need only minimal tweaking. Clients usually do not pay for the time you need for post-processing, but they do notice if your images look better than from other sources and if you can deliver fast results.

Quote
The built-in Hue Saturation and Luminance filter is nice (don't we have that in ACR?) as is the masking capability (a toss with Control Points, which I think I prefer).

I've always considered the lack of control over the automatic masking (although it does seem pretty good) process a drawback (combined with the price before Google took over), which prevented me from getting on the Nik train. Also the first versions caused a lot of instability problems, judging from the comments on various fora.

Quote
Despite the fact that I am a big fan of Topaz Plug-ins (InFocus, Denoise, ReMask and B&W Effects being often used favorites) I can't help thinking that at other times they try to do too much in one plug-in, and that they would be better served breaking them down into smaller, easier to understand and use, narrower purpose units (like CEP4 does?).  BTW, Tonal Contrast is the only filter of the Nik Collection I use.

There is some overlap in functionality between some of the Topaz Labs plugins (although Clarity is pretty unique), but that also stems from their business model. They need to attract new customers, and hope that those customers will also buy (some of) the other plug-ins once they get a taste of some of the features for which a more in depth solution exists. This is also caused by their policy so far, to supply update and upgrades to new versions for free to existing customers. They need to grow their customer base. That also means that they need to keep on innovating in a customer focused way, I mean really innovating! I'm more than willing to stimulate that innovation by my humble monetary contribution.

Quote
Contrast is everything in photography.  An image with no contrast contains no information.  So the ability to control contrast is key to a photographer's ability to convey his/her message.  TC does a decent job quickly.  Topaz Clarity could perhaps do better job but with a lot more work.  I need to play with it on many more images before I decide whether to buy it or not.

I agree, contrast (IOW light quality) is what defines a superior image, assuming it is composed and timed correctly and it has an interesting subject. Topaz Clarity's power is growing on me as I revisit some of my prior work. As always, it takes a bit of practice to get better results, but the potential is certainly there.

Cheers,
Bart
Title: Re: New Topaz plug-in
Post by: digitaldog on May 26, 2013, 01:29:23 pm
Is there something here that can't be done in Photoshop on layers and painting with various blend modes etc? I'm reminded of the work JP Caponigro has taught for years. Examples:
http://www.johnpaulcaponigro.com/downloads/technique/technique.php

Better: http://www.johnpaulcaponigro.com/blog/2128/drawing-with-light-21st-century-dodging-burning/
Title: Re: New Topaz plug-in
Post by: Jack Hogan on May 26, 2013, 01:55:32 pm
There is some overlap in functionality between some of the Topaz Labs plugins (although Clarity is pretty unique), but that also stems from their business model. They need to attract new customers, and hope that those customers will also buy (some of) the other plug-ins once they get a taste of some of the features for which a more in depth solution exists. This is also caused by their policy so far, to supply update and upgrades to new versions for free to existing customers. They need to grow their customer base. That also means that they need to keep on innovating in a customer focused way, I mean really innovating! I'm more than willing to stimulate that innovation by my humble monetary contribution.

Your reasoning is impeccable and I agree with you, so Topaz just sold another key (they should hire you, Bart :-).

The fly in the ointment is that I bought it for the excellent reasons you mentioned (and because I like to have that type of functionality), not because I am totally sold on the product - and that's not good for Topaz.  I mean it when I suggest that they need to spend a little more time breaking down functionality, focusing in on intended use, and targeting usability for that specific purpose.  It's not enough to say 'here is a great technology with which you can build everything and the kitchen sink, here are a bunch of themized presets, go play'.  It reminds me of many great products that languished because the techies thought the technology was so great that everybody would figure out a use for it and it would sell itself. It doesn't work that way in the world at large.  In fact it works exactly the other way around.

Since you mention strategy, a comparison to Nik's approach may help make my point.  I bet the underlying engine is very similar in Topaz Clarity and Nik CEP4 - things are implemented differently here and there but in the end they need to deal with the same variables.  The difference is that Clarity is one generic product with a ton of sliders active all the time.  Say the best preset you found is Sunset III but it's too whatever.  How many of the 34 sliders do you have to tweak to get what you want and which one do you start with?  A rhetorical question which would also seem to apply to some of their other excellent products (Adjust comes to mind).  Imho they need to make the sandbox smaller lest we kids get lost in it.

Contrast this to CEP4.  Same presumed underlying engine but instead of 1 (one) overwhelming product - they present it as 50 (fifty) or so targeted filters, each fine tuned to a specific application with less than half a dozen easily understood sliders only.  If you do not like the default outcome of the filter you are using you can tweak it easily within the filter's boundaries.  For instance in Tonal Contrast you can change the contrast through the (3) Highlights, Midtones, Shadows sliders and/or play with the (1) Saturation slider.  As I said I seldom use the other 49 filters.  But when I do I know why I am reaching for them (say Polarization or Skylight) and I can usually get the result I need with a minimum of fuss.

Topaz has great technology but Mark Twain and his long letter come to mind.  I think they need to put more effort in understanding their market, fine tuning their products to their customers' intended uses and, as a result, making them more focused, better and easier to use: that's the job of a plug-in.  The rest we can do in PS/ACR.

Jack
PS I get paid big bucks for saying stuff like this in my day job :-)
Title: Re: New Topaz plug-in
Post by: BigBadWolfie on May 26, 2013, 05:55:12 pm
Enter Topaz Clarity.  The question many of us have is whether it is better than Tonal Contrast.  My early answer is that I can get very similar effects from both.  Clarity has many more controls (34 sliders in all!) which means that it could give 'better' or more varied results - it is on the other hand harder to use imo and requires a longer learning curve.  For instance it controls Micro/Low/Medium/High contrast separately - I am struggling to refer those to specific areas in the image.  I am also not a fan of the existing presets, which I found myself tweaking a lot to get the desired result.  The built-in Hue Saturation and Luminance filter is nice (don't we have that in ACR?) as is the masking capability (a toss with Control Points, which I think I prefer).

....

Contrast is everything in photography.  An image without contrast contains no information.  So the ability to control contrast is key to a photographer's ability to convey his/her message.  TC does a decent job quickly.  Topaz Clarity could perhaps do a better job but with a lot more work.  I need to play with it on many more images before I decide whether to buy it or not.

Jack
I'm big on using Nik's Pro Contrast filter myself and I've been thinking of trying out Topaz plugins.  I always thought that one of Topaz's selling points was the ease (mainly through presets) in making photos "pop".  It seems that it isn't the case here and that Clarity is actually harder to get desired results?

I will download Clarity to try it out, but based on your comparison it seems that Clarity isn't the revolutionary product it is claiming to be.  To be honest, I probably won't spend the money if I can get similar results with Nik's Pro Contrast filter or Topaz Adjust pretty easily.  But I am a sucker for plugins so if it's a tool that actually makes it easier to get the desired or different result I just might end up buying it.
Title: Re: New Topaz plug-in
Post by: leuallen on May 26, 2013, 07:04:07 pm
I have hope for Clarity. Topaz's first releases are sometimes not polished but by the third or so update they sometimes become killer. When Remask came out I found it lacking compared to the competition and did not bother with it. Now the current update is awesome and a main tool I use.

The updates usually come pretty fast, they seem to be a busy bunch.

I used it some this morning and found a few quibles. I would like to be able to have a mask view so I could check the mask and  clean up anything I missed. I would also like to be able to turn the mask on/off and a few other things.

Larry
Title: Re: New Topaz plug-in
Post by: Bart_van_der_Wolf on May 26, 2013, 07:56:41 pm
I'm big on using Nik's Pro Contrast filter myself and I've been thinking of trying out Topaz plugins.  I always thought that one of Topaz's selling points was the ease (mainly through presets) in making photos "pop".  It seems that it isn't the case here and that Clarity is actually harder to get desired results?

Hi,

Well, this is a common trade-off. Some want simple operation, but that usually also means limited control. Others want more control, which obviously complicates the interface a bit. A good approach might be a basic control interface with several things hidden from view (although automatically adjusted in the background), and an 'advanced' option that can be enabled and which reveals the more complete controls set.

For many users however, selecting some of the themed presets, and then reducing the opacity slider might be all that the doctor ordered.

Quote
I will download Clarity to try it out, but based on your comparison it seems that Clarity isn't the revolutionary product it is claiming to be.  To be honest, I probably won't spend the money if I can get similar results with Nik's Pro Contrast filter or Topaz Adjust pretty easily.

Trust me, Topaz Clarity does things that Topaz Adjust cannot do (and vice versa). It's best to start with Adjust till your tonality is in the ballpark, then finish off with Clarity. Especially Adjust's protect Highlights/Shadows adjustments allow a degree of control that's not available in 'Clarity'. On the other hand, Adjust's Detail panel basically only targets a single feature size and Topaz Detail offers much more control there.

Topaz Clarity on the other hand, locally adaptively adjusts it's contrast at several gradient range/sizes without creating overshoot/halo artifacts. It's so powerful that you'll need to keep the brakes on all the time, or only use small amounts, or use the masking functionality for local adjustments, and/or use the opacity slider(s) to blend with the original.

Cheers,
Bart
Title: Re: New Topaz plug-in
Post by: Bart_van_der_Wolf on May 26, 2013, 08:00:31 pm
I used it some this morning and found a few quibles. I would like to be able to have a mask view so I could check the mask and  clean up anything I missed. I would also like to be able to turn the mask on/off and a few other things.

Hi Larry,

You can switch the mask(s) on or off. I agree that it would help when e.g. the mask preview would zoom-in with the image zoom setting.

Cheers,
Bart
Title: Re: New Topaz plug-in
Post by: Bart_van_der_Wolf on May 27, 2013, 02:06:07 pm
Hi folks,

And because we are in a photography forum, here is a Clarity filtered example (one of a gazillion possible renderings), based on the first image here:

Original rendering
(http://bvdwolf.home.xs4all.nl/temp/0866_800px.jpg)

Original rendering + Topaz Clarity
(http://bvdwolf.home.xs4all.nl/temp/0866_Clarity_800px.jpg)

Cheers,
Bart
Title: Re: New Topaz plug-in
Post by: BigBadWolfie on May 28, 2013, 03:21:15 am
Thanks for the samples BartvanderWolf.  One question, did you use one of Clarity's presets?  In every sample I've seen from the program tended to increase contrast by darkening the shadows and drawing out detail.  Your rendering seems to have brightened things up (most noticeable when looking at the building).
Title: Re: New Topaz plug-in
Post by: Bart_van_der_Wolf on May 28, 2013, 07:44:08 am
Thanks for the samples BartvanderWolf.  One question, did you use one of Clarity's presets?  In every sample I've seen from the program tended to increase contrast by darkening the shadows and drawing out detail.  Your rendering seems to have brightened things up (most noticeable when looking at the building).

Hi,

It could be that I started with the "Landscape Pop I" preset initially, then tweaked the settings. The brightening of the building (which makes it draw less attention away from the waves) can be reduced by increasing the High Contrast slider from it's initial setting of -40 up to +10. Or one can start with the "Landscape pop II" preset, and reduce the Medium contrast slider to +10 or 0. Taking snapshots of different approaches will allow to quickly cycle between them, before settling on one to work on a bit more.

For a more final version I would also give a bit of more saturation to the Greens of the waves, and maybe a bit of saturation to the Orange/Yellows while pulling their Luminosity some.

Cheers,
Bart
Title: Re: New Topaz plug-in
Post by: Philip Weber on May 28, 2013, 01:24:40 pm
I'm a big fan of plug-ins too and have all the Topaz and Nik stuff, although Nik products seem to be more in my workflow lately.

Question - where does Topaz Detail fit in the workflow now that Clarity is out (and what with the Topaz Adjust possibilities too)?

I just got back from a trip in the eastern Sierra's and have a ton of images to work on, so I'm looking forward to trying Clarity out. It'd just be nice to have a better understanding of how it fits in with my other Topaz products, not to mention things like Nik's Tonal and Pro Contrast.

Thanks!
Phil
Title: Re: New Topaz plug-in
Post by: Bart_van_der_Wolf on May 28, 2013, 01:45:04 pm
I'm a big fan of plug-ins too and have all the Topaz and Nik stuff, although Nik products seem to be more in my workflow lately.

Question - where does Topaz Detail fit in the workflow now that Clarity is out (and what with the Topaz Adjust possibilities too)?

I just got back from a trip in the eastern Sierra's and have a ton of images to work on, so I'm looking forward to trying Clarity out. It'd just be nice to have a better understanding of how it fits in with my other Topaz products, not to mention things like Nik's Tonal and Pro Contrast.

Hi Phil,

They address slightly different things in an image.

"Topaz Detail" targets multiple feature sizes (Small, Medium, and Large) individually, in an image, and allows to change (boost or suppress) their visibility, and adjust the overall Tonality and Color which may have changed due to certain features becoming more prominent, and it uses deconvolution sharpening to really sharpen the finest details.

"Topaz Clarity" adjusts the contrasts that are present in the image, usually before the details are made more visible with "Detail" later.

Topaz Labs has posted a Blog entry (http://www.topazlabs.com/blog/whats-the-difference-between-clarity-and-detailadjustinfocus/) where they compare the 4 plugins that affect the appearance of sharpness of the image most. They also have a diagram where in the workflow each plugin is normally used.

Cheers,
Bart

P.S. Maybe an imaginary example to make the difference clearer would be a portrait retouch. "Clarity" could be used to sculpt the facial features and lighten dark hair and the shadows under the eyes, and reduce low and micro contrast in the skin while leaving the eyes and lashes out, then "Detail" could be used to enhance strands of hair and perhaps reduce micro-pores a bit, and sharpen the eye-lashes. Some of it can be done in a single run with the plug-ins, other things may require targeting specific areas, and combining them in layers.
Title: Re: New Topaz plug-in
Post by: Philip Weber on May 28, 2013, 06:46:50 pm
Thanks so much Bart, that's very helpful.

I'll have to study it more and, of course, I'll be experimenting soon. It appears that Clarity is more in the same league with Nik's Tonal Contrast, which will be interesting, as I've long been a big fan of that application.

All the best,
Phil 
Title: Re: New Topaz plug-in
Post by: mdijb on May 28, 2013, 07:21:50 pm
I just did a side by side comparison between Tonal COntrast form NIK and Clarity.  In my opinion I think the results were better with NIK and using the sliders were more intuitive.  I did this on several images and the results were consistent.  I found no edge artefacts with either product.

Try it for yourselves

MDIJB
Title: Re: New Topaz plug-in
Post by: BigBadWolfie on May 29, 2013, 11:28:48 am
Okay so I downloaded the trial copy of Clarity and I have to agree with Jack Hogan that Pro Contrast is easier to get the desired results (maybe because Nik renders previews more quickly).  I do believe Clarity is the more powerful program as the sliders allow you to tweak things to a large degree.  But if you're familiar with Color Effex you can probably easily develop a recipe that achieves a similar effect.  I'm play with it some more as I can see that it can be a useful tool.
Title: Re: New Topaz plug-in
Post by: Damon Lynch on May 29, 2013, 03:57:20 pm
As a Photoshop plodder I find plug-ins like these helpful. The attached image (before and after) didn't take me much time. First DxO viewpoint to correct the distortion, then Topaz Clarity with one of the documentary presets, then Perfect Effects "daily vitamin" at 50%, then some creative sharpening on the front boy's eyes and lips, and then the final output. It might be a little over-the-top -- sometimes I'm unsure how far to push these things. I guess if I had used Canon's DPP instead of Lightroom then I could have gotten a considerably sharper base image, because its optimizer can do amazing things with the 16-35mm f/2.8.
Title: Re: New Topaz plug-in
Post by: Rajan Parrikar on May 29, 2013, 04:07:10 pm
Damon,

That looks fine.  I would pull down the saturation a hair.

I am finding Topaz Clarity to be an excellent plug-in and it nicely complements Topaz Detail.  Nik's Tonal Contrast is something of a blunt instrument (although with care it can work well).
Title: Re: New Topaz plug-in
Post by: BigBadWolfie on May 31, 2013, 12:47:43 pm
So I decided to purchase Clarity.  I ended up processing a few more photos and Clarity allowed me to achieve the look I wanted more quickly on some of them (I achieved something really similar by stacking filters in effex 4). I actually ended up starting with Clarity and then used Nik.
Title: Re: New Topaz plug-in
Post by: plugsnpixels on May 31, 2013, 02:09:03 pm
The Topaz Clarity 40% off sale (http://www.plugsandpixels.com/clarity.html) ends today, 5/31 at midnight US Central time. Reverts to 15% thereafter.
Title: Re: New Topaz plug-in
Post by: ymc226 on May 31, 2013, 02:30:59 pm
I just installed Clarity, my first Topaz product.  I'm used to working with LR and NIK plug ins.  I also use PS CS6 occasionally accessed via LR4.  My question is:  can I access Clarity from LR4 just like the NIK plug ins?  Currently, I have to open up the picture in PS and then select under filter to get to Clarity.
Title: Re: New Topaz plug-in
Post by: plugsnpixels on May 31, 2013, 02:40:40 pm
You'll need to use the free Topaz Fusion (http://plugsandpixels.com/topazfusion.html). (I need to modify my description to include its support for Lightroom, but follow the More Info link.)

Topaz plug-ins can also be run on their own (without a host) using Topaz photoFXlab (http://plugsandpixels.com/photofxlab.html), but I believe it will need to be updated to accommodate Clarity.
Title: Re: New Topaz plug-in
Post by: Kirk Gittings on May 31, 2013, 08:56:49 pm
The Topaz Clarity 40% off sale (http://www.plugsandpixels.com/clarity.html) ends today, 5/31 at midnight US Central time. Reverts to 15% thereafter.

HELLOOO.

No offense but this doesn't work. It is currently 6:55 PM Mountain Time on the 31st and the discount code will not work. It remains 49.95 no matter what I do. It says the coupon code has expired.
Title: Re: New Topaz plug-in
Post by: David Sutton on May 31, 2013, 09:08:09 pm
Kirk, I just went to
http://www.topazlabs.com/clarity/?utm_source=iContact&utm_medium=email&utm_campaign=Topaz%20News&utm_content=clarity+24+hours
and the code still works fine
David
Title: Re: New Topaz plug-in
Post by: plugsnpixels on May 31, 2013, 10:18:42 pm
I told Kirk via PM if he can't get this working I'll contact my Topaz rep Monday.
Title: Re: New Topaz plug-in
Post by: ymc226 on May 31, 2013, 10:18:55 pm
You'll need to use the free Topaz Fusion (http://plugsandpixels.com/topazfusion.html). (I need to modify my description to include its support for Lightroom, but follow the More Info link.)

Topaz plug-ins can also be run on their own (without a host) using Topaz photoFXlab (http://plugsandpixels.com/photofxlab.html), but I believe it will need to be updated to accommodate Clarity.

Thank you.  This worked.

Lawrence
Title: Re: New Topaz plug-in
Post by: plugsnpixels on May 31, 2013, 10:21:31 pm
Very good, thanks for the follow-up.
Title: Re: New Topaz plug-in
Post by: Kirk Gittings on June 01, 2013, 11:36:35 am
I apologize. On the first screen it wouldn't take it and said it was expired but if you clicked through to the cart and applied the code it would-confusing to me. Thanks.
Title: Re: New Topaz plug-in
Post by: Bart_van_der_Wolf on June 01, 2013, 11:45:37 am
I apologize. On the first screen it wouldn't take it and said it was expired but if you clicked through to the cart and applied the code it would-confusing to me. Thanks.

Hi Kirk,

Just in time, congrats.

Cheers,
Bart
Title: Re: New Topaz plug-in
Post by: Eric Myrvaagnes on June 01, 2013, 02:37:17 pm
I'm glad you got it, Kirk. I haven't done much with it yet, but already I think it's worth the (discount) price.

Eric M.


Title: Re: New Topaz plug-in
Post by: plugsnpixels on June 01, 2013, 02:42:21 pm
Even though the 40% deal is over, there's a permanent 15% discount available (http://www.plugsandpixels.com/clarity.html) for Clarity and any other Topaz plug-in/bundle.