Luminous Landscape Forum
The Art of Photography => User Critiques => Topic started by: jhemp on March 28, 2013, 12:01:08 pm
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I'm putting together a portfolio of 24x36in prints and I can only include one of these images and I'm going back and forth between these two. Image 9699 is wonderfully sharp printed at 24x36 but I like the composition on image 9686 a bit better but when printed at 24x36 you really start to see the lack in depth of field. Even at f22 I could not attain full focus. Whats your opinion on a slightly soft background???
jhemphillphotography.com
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I like both of these, but I kind of wish the pines on the right side of #2 were aspens instead.
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I think the "pines" kind of kill the title. I would have to choose the first one solely for that reason.
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#2. I'd go for composition over technical stuff. Don't worry about the spruce, life is messy.
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I vote for #1. I like how the aspens look like the photographer's audience, in a circle.
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#2. I'd go for composition over technical stuff. Don't worry about the spruce, life is messy.
I'm for #2 as well, for the same reasons.
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I like number two - the composition is better to my eye. There is a nice panoramic image in composition number two. I see everything as a panoramic so it may not be your thing.
Steven
http://www.friedmanphoto.com (http://www.friedmanphoto.com)
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i like them both - i would pick #1
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See?! We're with you! Back and forth.
;)
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I prefer the first. I find the trees directly in front of the lens in #2 a bit overpowering.
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Number one is easily superior, in my eyes.
The second shot will likely only be favored by those of questionable moral character and felons ;-)
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I prefer the first one for compositional reasons. IMHO I like seeing the base of the trees in the foreground trees as the second reminds me of people shots where everyone is cut off at the ankles. Just my 2 cents, spend as ya like :)
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I like #1 the best, I would have cropped the bottom up to the point that the small green tree was gone, but I like images of trees that dont show the bottoms. Both are nice