Luminous Landscape Forum
Equipment & Techniques => Motion & Video => Topic started by: Morgan_Moore on April 16, 2012, 12:02:02 pm
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http://www.blackmagic-design.com/products/blackmagiccinemacamera/
Dont know too much - looks very very cool
S
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So my quick take
Its got a smaller sensor 9mm tall, booh!
Its shoots 2.5k raw files - this seems managable in terms of DATA and will deliver superb 1080 which is what clients want
Its cost $3k
It has proper cables in/out
the design is wonderful in simplicity
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So much more intelligent than the 1DC or whatever its called..
S
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Appears this camera has caught people by surprise at NAB. How do the demo sample videos look to you?
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Very interesting indeed !
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Appears this camera has caught people by surprise at NAB. How do the demo sample videos look to you?
To be honest the videos look soft and flat IMO - but it is vimeo
In theory it should be good recording DNG !
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It has Thunderbolt out (along with SDI): Is that a first? Is it a good trend?
It is getting attention: the website seems overloaded.
Strange format 15.6 mm x 8.8 mm: a bit bigger than 16mm, smaller then 4/3", about the same as 1" as used by Nikon One. Could it work with C-mount lenses for 16mm film or 1" video cameras?
Using removable SSD for high capacity, high speed, removable storage sounds smart!
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Yeah, website is collapsed. Everybody is looking at that.
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I thought that would happend.. copied the specs here !
Pretty much everything is as it should be apart IMO sensor is a little small and also the EF mount will reduce the (much needed) wide options..
Many great details - like 12-30 power, decent monitor cabling, four mount points
Simple things missing from the, do we have a name for it? C1c (Canon 4kDSLR)
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Blackmagic Cinema Camera
Camera Features
Sensor Resolution 2592 x 2192
Raw Resolution 12-bit RAW files recorded at 2432 x 1366
Shooting Resolutions 2.5K RAW at 2432 x 1366, compressed at 1920 x 1080
Frame Rates 23.98p, 24p, 25p, 29.97p, 30p
Sensor Size 16.64 mm x 14.04 mm
Sensor Size - Active 15.6 mm x 8.8 mm
Dynamic Range 13 stops
Focus Focus button turns on peaking
Iris Control Iris button automatically adjusts the lens iris settings so no pixel is clipped
Lens Mount EF and ZF mount compatible with electronic iris control
Screen Dimensions 5" and 800 x 480 resolution
Screen Type Integrated LCD capacitive touchscreen
Metadata Support Automatic camera data and user data such as shot number, filenames and keywords
Controls Onscreen touch menus and physical buttons for recording and transport control
Microphone Integrated mono microphone
Speaker Integrated mono speaker
Mounting Options 3 x 1/4" thread mounting points on top of camera.
1 x 1/4" thread tripod mount with locator pin.
Power Integrated Lithium-ion Polymer rechargeable battery.
12V-30V DC port for external battery power or use included 12V AC adapter.
Battery Life Approximately 90 minutes
Battery Charge Time Approximately 2 hours when not in use.
Camera Dimensions 166.2mm by 113.51mm x 126.49mm excluding detachable sunshade and turret dust cap
Camera Weight 1.7 kg / 3.75 lb
Storage Features
Storage Type Removable 2.5” SSD
Storage Format Mac OS Extended format. SSDs can be formatted on any Mac or use Mediafour MacDrive (not included) on a Windows PC.
Storage Rates 5 MB/frame in RAW 2.5K fits about 30 minutes of 24p video on a 256 GB solid state disk. Compressed HD formats fit more than 5 times the amount of RAW video.
Uncompressed Recording Formats RAW 2.5K CinemaDNG
Compressed Recording Formats Apple ProRes and Avid DNxHD. All compressed recording in 1920x1080 10-bit YUV with choice of Film or Video Dynamic Range.
Connections
SDI Video Output 1 x 10-bit HD-SDI 4:2:2 with choice of Film or Video Dynamic Range
Analog Audio Input 2 x 1/4” jacks for professional balanced analog audio, switchable between mic and line levels.
Analog Audio Output 1 x 3.5mm stereo headphone output
SDI Audio Output 4 channels in HD-SDI
Remote Control 1 x 2.5mm LANC for Rec Start/Stop, Iris Control and Focus Control
Computer Interface Thunderbolt port for capture of RAW video and audio.
USB 2.0 mini B port for software updates and configuration.
External Power 12V-30V DC port for external battery power or use included 12V AC adapter.
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It looks extremely interesting. The only thing that made my jaw drop was the audio inputs: 2 x 1/4” jacks .
Whoever thought that was a good idea??
To bring it to pro spec, you are going to have to add an XLR connector box a la Beachtek.
That daffy feature alone raises my suspicions that they may be more in love with their form than their function. But it does look nice!
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I thought that would happend.. copied the specs here !
Pretty much everything is as it should be apart IMO sensor is a little small and also the EF mount will reduce the (much needed) wide options..
Thanks.
The format itself is not so bad, but the EF/ZF lens mounts is a poor fit, as you say! Lenses for C-mount, Micro Four Thirds, Four Thirds SLRs, and Nikon One all seem like good fits to the format size, so one can hope for adaptors, but if the mount is as deep as Canon EF mount, none of those would work, because they all have a flange-focal distance smaller than EF or ZF mount.
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Not the only daffy feature. Do they really mean:
Power Integrated Lithium-ion Polymer rechargeable battery
i.e. a built-in non-changeable 90 minute battery? With a 2 hour recharge time? Seriously?
Cheers, Hywel
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Specs say you can use external power or ac adapter.
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Sure, but look at the form factor- are you really going to want to add a V-mount battery & plate or have to power something that small from the wall all day? Surely, removable batteries would be a better solution? Let's hope they rethink that before production.
Cheers, Hywel.
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Let's not be disapointed on the sensor's size. It's a little smaller than the m4/3 standart but remember that a GH2 puts (in motion !...) a 5D2 to shame in every aspects except very high isos.
Also, shooting wide open with such sensors is more reliable. You got great defocuss but not as critical as with a FF. In fact there are more versatile in use. You get easily every plane in focus or not.
The downside will be the X factor and the access to wide angles.
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I completely disagree on the battery thing
I have $3k of Vlock - light panels - sound recorder - FS100 - focus motor - monitors - all one solution, one charger
Anything that does not run off that annoys me intensely now
On the shoulder or sticks you will need the extra mass to gain some stability
Not to mention Vlock can run many things and 90% of the time this will need a monitor and probably an XLR preamp
Doing the 'fridge shot' you just chuck the onboard batt on for that take
IMO
S
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On the shoulder or sticks you will need the extra mass to gain some stability
Correct. That's were the power is best located.
On the design, I don't trust this ridiculous lcd shade. It's going to do nothing.
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WIde is only I guess a big problem if they stick with the canon mount - its way too deep FFD (flange to focal)
Slr magic 12mm and I think there is an olly one too would be OK
And there is of course S16 lenses .. if they fit
I think I quite like a format that is safe but you can throw the focus if needed
S
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Yeh, it's a fair point, I power all of my video kit from V-lock myself. (Lighting included- hooray for Gekko Kelvin Tiles!) I suppose the built-in battery will handy for the odd stolen handheld or lightweight support shots in an otherwise shoulder-mounted day. That's how I use the side handle/REDVolts on my Scarlet in fact- rest of the time I just use V-lock.
But one of the killer applications of dSLRs has been the ability to get them into tight spaces, and a removable battery would make this little camera even more of a dSLR killer than it already is, in my opinion.
It'll be interesting to see how quickly a support industry arrives for this camera- pretty damn quickly, I think. Which should result in plenty of nicely ergonomic rigs with the little BMD buried at the centre! :)
I'll be looking into one as a B-cam to the Scarlet and finally retiring the AF100 actually. Once you've got a taste of unlimited RAW file goodness, it is hard to go back!
One other thing that did puzzle me though- I saw mention that the white balance is set in-camera, effectively burnt in. This seems like another odd choice, given that a big part of the appeal of RAW is being able to tweak the white balance in a one-light correction a bit if you need to. A RAW file with a burnt in white balance is RAW in what senses, I wonder?
Cheers, Hywel.
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It looks extremely interesting. The only thing that made my jaw drop was the audio inputs: 2 x 1/4” jacks .
I think it is not that dumb XLR would add a lot of size and one (the designers) may assume that any production that is RAW is going to have a sound man
At least it has onboard scratch sound unlike the FS100
Having put a lot of money into my Sound Devices recorder I think it will be the prefect preamp!
IMO
Smm
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One other thing that did puzzle me though- I saw mention that the white balance is set in-camera, effectively burnt in. This seems like another odd choice, given that a big part of the appeal of RAW is being able to tweak the white balance in a one-light correction a bit if you need to. A RAW file with a burnt in white balance is RAW in what senses, I wonder?
Hopefully that is wrong - but with DNG how can it be right
If it is correct then its another motion camera company who need to spend a week with a $500 stills DSLR and a copy of C1
I think most motion companies would enhance themselves greatly by doing that rather than listening to 'experts' of motion picture post which seems all backwards to me...
S
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With all that DOF, if the skin tones will be nice, it will be great for cosmetic and beauty work.
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Hopefully that is wrong - but with DNG how can it be right
If it is correct then its another motion camera company who need to spend a week with a $500 stills DSLR and a copy of C1
I think most motion companies would enhance themselves greatly by doing that rather than listening to 'experts' of motion picture post which seems all backwards to me...
S
That was what I thought. RAW, but with a burnt in white balance. Eh??
I've just about got my head around RED's RAW-like format. It isn't RAW, it is wavelet compressed so you lose detail depending on your compression settings, but it maintains the RGB information separately so you can rebalance in post. RED Cine X feels like a decent stills processing package as a result, which is a VERY good thing. Hence my purchase of a Scarlet.
I absolutely agree. Lock the motion design teams in a room with a dSLR and C1 and don't let them come out until they get it! :) :) Don't listen to the guys like the ones at Sony who were still saying that interlaced was the way to go a few years ago (shudder).
Cheers, Hywel.
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http://www.dslrnewsshooter.com/2012/04/16/blackmagic-design-launch-2995-2-5k-large-sensor-digital-cinema-camera/ (http://www.dslrnewsshooter.com/2012/04/16/blackmagic-design-launch-2995-2-5k-large-sensor-digital-cinema-camera/)
just a quick look
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Figure in $1000 for included Davinci, all scope outputs via Thunderbolt, looks like an amazing value - I love the SSD capability; smart. Even though the audio is 1/4", at least it's balanced, Line or Mic.
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This could be what I'm looking for.
The 1dC looked most likely but a serious overkill for me. I need small, the lighter the better, 2.5k raw gives me enough quality to crop and output 1080.
The other thing stuff like this might do is give Canon a well needed kick up where the sun don't shine hole and reevaluate their price/spec ratio.
Kevin.
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Its setting out a stall for everyone else to see - thats the best thing
These (other) people are stuck in the past
A sat van costs 1/3 of a million - at some point a phone will do the same thing and someone will be sitting on the sidelines saying 'hey our sat suitcase' is half the price of a sat truck..
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The lack of any footage has to be a reason not to get to carried away this camera at this stage. If there had been some footage to back up the talk, I think I would of hit the pre order button.
Kevin.
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I agree - eoshd posted a still - and it was nice..
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Here's some Black Magic Cinema Camera footage :
http://vimeopro.com/johnbrawleytests/blackmagic-cinema-camera
Enjoy!
Thanks,
Tim
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I am curious how a wide angle lens will react to this camera:
-If you put the 21mm ZE Zeiss on this camera will it still have distortion at the edges or will it behave like a 50mm lens ( limited distortion and great for "as I see it" point of view )?
-And then wide open on the same lens is F2.8, will that look something like F5.6 on a 50mm on a full frame chipped camera? Dont bust out any charts or quote my estimates with ridicule, just trying to get an idea for "the look and feel".
On Brawley's 'beach dusk' video ( http://vimeopro.com/johnbrawleytests/blackmagic-cinema-camera/video/40390150 ), about 24 seconds in where the man is cropped into his waist, I am guessing he is shooting with the canon 35mm F2 prime wide open, and the amount of 'shallow depth of field' seems fine for my work.
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This has a crop factor of about four I think
A 21 would not be bent at the edges - but you would get the DOF of a 21 (lots)
The EF mount and lack of 8-10-11 mm lenses is tough
They should IMO have use a MFT lens mount
Getting a pure cine look will be tough - but compared to a 1/3 or 2/3 video camera the look will drop off pleasantly - IMO
S
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New clip from John Brawley. This one shows plenty of nice "out of focus-ness", wonder which lens he used? The DR and detail here looks great:
http://vimeopro.com/johnbrawleytests/blackmagic-cinema-camera/video/40584879
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Is this what the canon 5dDiii
Should have been? I say yes!
Unless this thing has some sort of unknown
Problems with the footage, they will sell like mad.
I hope it has some effect on canon, because I don't really think the 5d111
Is worthy of 3500.00
Tim
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If anybody is wondering about the ability to pull stills from the footage I just confirmed with BMD that each DNG still will be a bit bigger than 5 megapixel..... not bad. You cannot shoot stills only.
I pre-ordered. Now its time to think about a lens. For the kind of shooting I do I just need one fast prime. Trying to decide between the ZE Zeiss 21mm and Zeiss 28mm.