The "5D X" is still posted on the Chinese website and Im betting it's the real deal. I cant see what they'd possibly have to gain by posting fallacious data .
Yep... false rumors... that would be unheard of. ;)
But I agree with you, I am sure there is a 5DIII/5DX to be announced soon... the question is more how many months will ellapse between announcement and actual availability.
This may be what the X is about. ;D
1DX -> X=7 month gap between annoucement and planned availability
5DX -> ???
Cheers,
Bernard
But I agree with you, I am sure there is a 5DIII/5DX to be announced soon... the question is more how many months will ellapse between announcement and actual availability.Some interesting stuff. Interesting how Nikon's info was common knowledge and the rumor sites pretty well had it nailed for a while, yet with Canon no one has a real clue. I talked to a good friend who is in Canon USA management (different product line) and he certainly knew something but of course wouldn't say ... all he said was everyone was going to be "really" surprised. Of course, by that he might mean we'll all be really surprised because they'll announce some totally unrelated thing and not touch the 5D :)
... all he said was everyone was going to be "really" surprised. Of course, by that he might mean we'll all be really surprised because they'll announce some totally unrelated thing and not touch the 5D :)Really surprised? How about a tablet, with a killer camera module.
Fun to speculate .. guess we'll see on Friday!
What is the diffraction limit on a full frame sensor with 22MP, 35MP, 45MP?And I have some rough numbers on diffract below. But first, my usual rant:
what is it for a 7d, about f/8 or f/11, I think?
More like f5.6 or f6.3.If you mean the threshold of some detectable effect on resolution. But that is near one end of the gray zone, sort of like taking the high tide mark as the end of the land and the start of the sea. And likewise, my f/11 might be like low tide, and on recalculating I will retract f/16 in favour of about 3x pixel pitch, or f/13.
If you mean the threshold of some detectable effect on resolution. But that is near one end of the gray zone, sort of like taking the high tide mark as the end of the land and the start of the sea. And likewise, my f/11 might be like low tide, and on recalculating I will retract f/16 in favour of about 3x pixel pitch, or f/13.
from China
http://www.spreecast.com/channels/phototips
8AM EST
amnouncement time
the stage looks pretty impressive.(http://images.freshnessmag.com/wp-content/uploads//2012/02/canon-eos-5d-mark-iii-announcement-10.jpg)
I would be interested in comparisons at equal f-stop between cameras with sensors of the same size but different resolutions, like 16MP, 24MP vs 36MP for Nikon, and 18MP, 22MP and 45MP or whatever for Canon. Say comparing those several resolution options all at f/5.6, and all at f/8, and all at f/11. That would show which DOF choices can benefit from greater resolution, and by how much, and also at what stage there is little resolution gain (even though there could be other gains, like reduced aliasing and maybe less jaggies). It seems common opinion that there will be little resolution benefit in going beyond 22/24MP when you need f/16 to get your desired DOF, but f/11 and f/8 are controversial.
Those are huge pictures.No they're not. It's just normal big TV screens, as seen at concerts etc. HDTV(2mp) at best.
Observing that, for example, f/16 give less resolution than f/11 on the same sensor only shows that both diffraction and sensor resolution are limiting the overall resolution at f/16, leaving it very likely that an increase in sensor resolution would still give a worthwhile increase in overall resolution at f/16. My interest is knowing at what level of sensor resolution (MP or whatever) does one stop getting any increase in overall resolution from further increases in sensor resolution, holding f-stop constant.......
Extrapolating the sensors in the cropped-format cameras that I used to full-frame size, the results as I recall indicate that at F22 a 39mp full-frame camera will have no resolution advantage over a 26mp full-frame, but at F16 it will. At F16 the 39mp camera delivers about the same resolution from the same lens as a 26mp camera produces at F11.Yes: the f/22 result is no surprise; it is already quite noticeably affected by diffraction limited in normal viewing of prints from film. At f/16, I hope to soon see for myself how much the advantage is of the latest round of sensor resolution increases.
I would be really surprised if none of the announced cameras goes significantly beyond 24MP ...So I have to confess: I am now officially really surprised!