Luminous Landscape Forum
Equipment & Techniques => Medium Format / Film / Digital Backs – and Large Sensor Photography => Topic started by: stewarthemley on December 21, 2009, 07:39:08 am
-
Like it says in the title, Michael, any chance of removing (banishing?) this endless and pointless debate to its own little space then all the people who find it worthwhile can go there and fight themselves to a standstill while the rest of us can get on with exchanging useful info about MF BACKS? I know we don't have to read them but they crop up often and really don't belong here. Goodness knows how much bandwidth they must waste.
-
+1
-
Like it says in the title, Michael, any chance of removing (banishing?) this endless and pointless debate to its own little space then all the people who find it worthwhile can go there and fight themselves to a standstill while the rest of us can get on with exchanging useful info about MF BACKS? I know we don't have to read them but they crop up often and really don't belong here. Goodness knows how much bandwidth they must waste.
But sometmes may be worth to take a look if the title of discussion column needs to be changed. we are talking about photography. Yes, it is also equipment related, but I don't think one bleived so much in medium format will be changed to look into DSLR, if it is so good and why not. At the same time, one have so much condidene about his DSLR may also be chaned to look at what larger sensor can offer. I think a little confusion can sometimes trigger more debates, and I don't think debates or comparison is bad, as long as it is contrstructive. When I look at the forum like this, yes, not all the debate or disucssion have much sense in it, but overall if we have 60-70% good discussion, it is not that bad, nothing is perfect. Many user have both system, and switching between systems often, its worht to remain a cross reference within a column than to physically break the directon of discussion.
Regards, K
-
Personally I don't mind. Some of the posts comparing output are useful or interesting. Frankly, if you don't like them, you don't have to read them.
I find polling posts about what system you use pretty useless, but some people like them, so live and let live. I quite like the diversity, all in one place.
Edward
-
Like it says in the title, Michael, any chance of removing (banishing?) this endless and pointless debate to its own little space then all the people who find it worthwhile can go there and fight themselves to a standstill while the rest of us can get on with exchanging useful info about MF BACKS? I know we don't have to read them but they crop up often and really don't belong here. Goodness knows how much bandwidth they must waste.
And this thread isn't wasting any? It all depends on how you look at something, doesn't it?
-
+1
-1!
-
For the most part (and unlike many forums) we have a group of photographers here who are knowledgeable and enthusiastic. Most are adults, and act like it. The ones that don't, don't last long.
My preference is for this forum to be self-policing to the greatest extent possible. Stupid threads usually die out quickly enough, or they simply get closed and die a natural death.
Michael
-
No need. The 35mm format if the manufacturers want to capture a bigger market and more pros will need to migrate to larger sensors just as Leica have seen the light.
The 35mm format is a lousy format to begin with and was born as a compromise, now they have the opportunity to break the shackles from that restrictive format.
-
Where are those pointless threads? So far I have seen mostly useful threads on this forum, and not to be rude but this is the only pointless thread that I came across recently.
-
I know we don't have to read them
You have solved your own problem.
-
No need. The 35mm format if the manufacturers want to capture a bigger market and more pros will need to migrate to larger sensors just as Leica have seen the light.
The 35mm format is a lousy format to begin with and was born as a compromise, now they have the opportunity to break the shackles from that restrictive format.
Since this forum is visit by makers and dealers you'd think the positive reason for these type of posts is for the camera makers to learn and respond.
You'd think the specialty camera companies' response to the high end dslrs would be higher iso, better lcds, live view, more lens options, faster delivery, better price. less complication.
When I heard that Leica was coming out with an almost medium format camera from a clean sheet I thought cool, other than price maybe they'll get it right and once again these forums are a good starting point.
Well, I guess the the "I like to shoot slow thread", or the "complicated software thread", or the "low iso works better with pro 7 section", or worse, "I can wait as long as needed for lenses thread" is where they set the bar.
Seriously, you'd think Leica read the responses to the Mamiya ZD and translated it wrong or thought after the Hy6 there really was a place for a $50,000 camera system that was slow to bring to market.
I still don't understand this format thing or why people get so hung up on it, because almost medium format has what 5 formats? The Dslrs have at least 4 formats and the funny thing is on any professional set the only format that any client sees ( or cares about) is the size of the monitor.
BC
-
Like it says in the title, Michael, any chance of removing (banishing?) this endless and pointless debate to its own little space then all the people who find it worthwhile can go there and fight themselves to a standstill while the rest of us can get on with exchanging useful info about MF BACKS? I know we don't have to read them but they crop up often and really don't belong here. Goodness knows how much bandwidth they must waste.
-1
Often the best way to think about a thing is to *compare* it to something else. I think that thoughtful comparisons are extremely interesting.
-
.
-
I could care less about the 35vs mf debate or any small discrepancies abut bit depth, 3d effect, and everything in between. What I'm sick of is the contempt amongst each other. We come here to learn from each other, of course mistakes are made sometimes, but can we please just learn to get along and move forward? Seriously.
-
No, no, no. It's not about a lack of definition. That is defined. I started a thread not long ago about at what sensor size does MF start. The honorable collective here said more or less. "Anything bigger than 24X36mm" Which by the way coincides with Photo.net policy.
So, what is this about? To say the truth, I don't know but I can make a (wild) guess.
MF users and advocates are running out of ideas on defending their huge investments.
Sorry, told you it was wild.
Merry xmas everyone.
Eduardo
.
-
I'm losing sleep over this issue.
-
Being a moderator of a large photo forum, I have to say "what is the problem"? This is the most civilized site I have ever participated in. If you think this issue is bad on this site, I say you haven't been around the web much. If I was a moderator here I would have to take uppers to stay awake. Try threats of violence, lawsuits and real defamation. This is a frickin tea party.
-
Being a moderator of a large photo forum, I have to say "what is the problem"? This is the most civilized site I have ever participated in. If you think this issue is bad on this site, I say you haven't been around the web much. If I was a moderator here I would have to take uppers to stay awake. Try threats of violence, lawsuits and real defamation. This is a frickin tea party.
Are kidding me, photographers get more intense about this subject. I mean really, who cares, it's just about what you can do with what you got and whether it is acceptable to you.
-
Anyone care for a cup of tea? Darjeeling?
Michael
-
+1
-pi
-
Anyone care for a cup of tea? Darjeeling?
Michael
Would that be with lemon or cream?
-
Anyone care for a cup of tea? Darjeeling?
Michael
I prefer Assam. Milk, please.
-
Anyone care for a cup of tea? Darjeeling?
Michael
Why yes, darling, I'd love one.
carl
-
As long as medium format camera makers list the specs for their newest lenses with bullet points like Equivalent 35mm Focal Length you know that 35mm and large format often belong in the same discussions. 35mm is not going to go away. It is going to keep chipping away until there is nothing left to chip. If MFD can stand it will stand on it's own merit when 35mm reaches its limits. I warn those who are reading that a purchase of MFD these days should be done for personal reasons or for the following business reasons:
* Printing large for art galleries.
* Impressing clients who own MFD.
* Intimidating newcomers on forums.
Otherwise go buy a Canon 5DII and work on your portfolio.
-
As long as medium format camera makers list the specs for their newest lenses with bullet points like Equivalent 35mm Focal Length you know that 35mm and large format often belong in the same discussions. 35mm is not going to go away. It is going to keep chipping away until there is nothing left to chip. If MFD can stand it will stand on it's own merit when 35mm reaches its limits. I warn those who are reading that a purchase of MFD these days should be done for personal reasons or for the following business reasons:
* Printing large for art galleries.
* Impressing clients who own MFD.
* Intimidating newcomers on forums.
Otherwise go buy a Canon 5DII and work on your portfolio.
It is funny but I often think it does not make much more sense about looking at the size of the sensors. We spoke of medium format yesterday was achieved in comprable qaulity by a smalle camera today, we talk about photography quality that has much beyond just the sensor size, pixels counts and so on. MoMA or other art gallery does not accept exhibition base on what camera one use. Michael says on this forum that some of his most praised images were often took by smaller cameras, but it does not mean he will stop exploring what next on the top of the line. Many medium format users, I included, also have smaller DSLR and a Canon G10, can't we produce image from small camera because we are also medium format user? Canon 1Ds series camera, of course now include Nikon and Sony, are in general considered capable of producing comprable medium format quality yesterday, OK, day before yesterday (film or digital) and the P1 P65+ and Leaf AF-II 10 are in the realm of large format, is physical size of sensor or camera still that important? The concept of differentiate camera system by sensor size is becoming an old concept. Photographer has his choice to use camera for his work, no one is wrong.
Regards, K
-
As long as medium format camera makers list the specs for their newest lenses with bullet points like Equivalent 35mm Focal Length you know that 35mm and large format often belong in the same discussions. 35mm is not going to go away. It is going to keep chipping away until there is nothing left to chip. If MFD can stand it will stand on it's own merit when 35mm reaches its limits. I warn those who are reading that a purchase of MFD these days should be done for personal reasons or for the following business reasons:
* Printing large for art galleries.
* Impressing clients who own MFD.
* Intimidating newcomers on forums.
Otherwise go buy a Canon 5DII and work on your portfolio.
I guess you never looked through a 35mm camera mounted on a 4x5 with a LF lens ...Because if you did, you wouldn't have posted this. There are technical workflows that simply don't work well with 35mm. Try stackinh a macro with a 35, vs a 4x5.
Tools that help this are very few, and priced so you don't buy it.
But yes... things are getting closer, and perhaps in 2 years there will be tools that help the workflow of technical cameras on a 35mm platform...or better yet, the big dogs will bump the frame size or maybe we can have a 1 to 1 viewfinder along the live view. Things can stay stagnant, or there can be radical changes.
The future will tell.
I shoot tethered, so ..Until I can get front lens movement with presice lock down(SINAR) on a 35,(Since live view will bypass the tiny viewfinder)...And until I have a AA filter free option.... I will stick to my MFdB.
-
For the most part (and unlike many forums) we have a group of photographers here who are knowledgeable and enthusiastic. Most are adults, and act like it. The ones that don't, don't last long.
My preference is for this forum to be self-policing to the greatest extent possible. Stupid threads usually die out quickly enough, or they simply get closed and die a natural death.
Michael
Perhaps it is just me... but the change of title to 'Digital Backs & Large Sensor Photography' seems like caused a change to this part of the forum. Now it is mixed 35mm based digital and medium format or larger digital. Prior when the title was 'MFDB and digital backs' or something similar... then it applied equal to film. The current title can be interpreted as tad narrow focused on megapixels...
Photography is photography and gear is gear, albeit gear is what is used for photography. The really important part is the seeing part. A camera or camera system is what we in photography use to see and capture this world. In my personal humble opinion, having used 35mm film and digital based systems and upwards... it is a whole different way to SEE and OPEARATE with a DSLR than with a medium format based system. Of course, attaching a digital back to a stitching (technical camera) or a 4x5 is different still, but is used with same gear - digital back. Not only that... the current title implies film is no longer part.
Perhaps there are more than I who participate less in these forums nowadays? For it seems since around the title change, there were many who have fled or post less, and among those seems were some reputable... Or simply, they perhaps realized photography matter more than gear??? As current it seems GetDpi has more of a medium format forum than LL... it is regrettable, simply because the Medium Format forum that was before the title change was the very best on this site. That was also much to help when starting out with a medium format back!!! Much thanks to all, especially the professionals who spent time to share thoughts and advises.
Only my 2c honesty...
Regards
Anders
-
Where have I the right to speak about my Sinarback 43HR ? 44 Mpix for a ordinary 24/36mm format, on an classical P2.
PdF
-
Anyone care for a cup of tea? Darjeeling?
Michael
Mmmm, Darjeeling, I'll take you up on that
I agree with Anders that the current title invites some of these problems. I also don't see a reason to rule out film, especially in the kind of numbers of posts they will cause. I would rename it simply "Medium Format Photography", and the description could simply state that it is not for 35mm photography discussions. Then those of us who have no interest in 35mm could just hold our nose and look the other way when a 35mm post does come in.
-
It is funny but I often think it does not make much more sense about looking at the size of the sensors.
You are right of course, but there are so many 35mm photographers out there that allowing this forum to cover both MF and 35mm would simply allow the MF content to drown in a sea of 35mm discussions. Perhaps that is even the primary reason for not mixing, not IQ, DR, print size or anything else. There are those of us who are simply interested in MF photography as such.
-
As long as medium format camera makers list the specs for their newest lenses with bullet points like Equivalent 35mm Focal Length you know that 35mm and large format often belong in the same discussions.
I suppose we should also let in the P&S crowd then, because they do that too.
Seriously, that is not a good argument.
-
For the most part (and unlike many forums) we have a group of photographers here who are knowledgeable and enthusiastic. Most are adults, and act like it. The ones that don't, don't last long.
I, too, thought that the reason that the name of the forum was ammended recently was to allow full-frame DSLR intelligent discussion, and to acknowledge that, in real-world use, a file from a 1ds3 is, in essence, very similar to a file from a P21. My question to Mr. Reichmann: Please clearly define the parameters of this particular forum. The word "large" is extremely vague. Was the forum name changed to allow the S2, or the 1ds3/D3x?
-
OK, I've changed the name and changed the rules. I don't think it'll make an iota of difference to the tone of the discourse, but we'll see.
Michael
-
OK, I've changed the name and changed the rules. I don't think it'll make an iota of difference to the tone of the discourse, but we'll see.
Michael
michael,
does it mean that a comparison as i did between the 17/24tse and the 23/28/35 HR optics including the cameras/backs behind it is not longer welcome here or that it is in the wrong place in this forum ? i dont see the things more clear with this new undertitle, just the contrary .
-
OK, I've changed the name and changed the rules. I don't think it'll make an iota of difference to the tone of the discourse, but we'll see.
Excellent, thanks for doing that. It's clear now. Apologies to anyone I've offended, when comparing my 35 system to my old H and Contax 645 systems.
Adios. And thanks.
-
See what I mean?
Sigh
Michael
-
does it mean that a comparison as i did between the 17/24tse and the 23/28/35 HR optics including the cameras/backs behind it is not longer welcome here or that it is in the wrong place in this forum ? i dont see the things more clear with this new undertitle, just the contrary
Apologies to anyone I've offended, when comparing my 35 system to my old H and Contax 645 systems.
as long as it is related to MF (and any comparision is... may that be lenses, handling, workflow...) it fits into the category, no?
This forum would be a desolate place without your contributions...
-
See what I mean?
Sigh
Michael
seriously no.
you do me a favour if you would respond me.
is it the place here for doing such comparisons as i did recently or no.
btw.
#this time i dont understand you. if 2 or 3 photographers express that they want to see mf ONLY treads and 20 or 30 say
the opposite, which ( nearly ) all are using both systems ( 35 + larger ), where was the problem ?
-
I guess you never looked through a 35mm camera mounted on a 4x5 with a LF lens ...Because if you did, you wouldn't have posted this. There are technical workflows that simply don't work well with 35mm.
...SKIP...
I shoot tethered, so ..Until I can get front lens movement with presice lock down(SINAR) on a 35,(Since live view will bypass the tiny viewfinder)...And until I have a AA filter free option.... I will stick to my MFdB.
True I don't use rise and shift in my work so I missed that point. With larger glass circles on 35mm could this need not be met? As far as your technical camera requirements, it is the level of perfection you're willing to pay to have, not necessary a fundamental business requirement. Perfectionist and MFD seem to be one and the same. This is why I consider MFD to be a personal choice.
The real point I am making is that we choose the format we want for ultimately personal reasons as most of us could convince any customer that the image they are looking at was made with the finest equipment and given a few years we ourselves will forget which camera took the picture. All these micro differences between them are simply lost when you step away from the computer and look at the image on the wall from five feet.
I just wish current MFD owners would just be honest and say they are guilty of perfectionism instead of going on and on about how they have to use $40,000 backs for business reasons. I want a Bugatti Veyron to make travels to the post office more enjoyable... but really... I just don't need it.
-
OK, I've changed the name and changed the rules. I don't think it'll make an iota of difference to the tone of the discourse, but we'll see.
Michael
I support this change.
At least there is a slight chance that some self proclaimed experts start to think before they post their opinions against facts.
Thanks a lot!
-
with all due respect to all and for any opinion here, my belief is that such a discussion is going nowhere and can't be solved. There will always be somebody disagreeing or preferring to have it the other way.
Why not simply let things go the way they have been, means with a self-policy? I didn't see any major problem so far, and facts are that 35mm and its lenses are now overlapping into MF's field, like it or not.
What seems more important to me is that one sticks to and cares about the "professional photography" side of this particular forum, which IMO has been the case so far.
Best regards,
Thierry
-
with all due respect to all and for any opinion here, my belief is that such a discussion is going nowhere and can't be solved. There will always be somebody disagreeing or preferring to have it the other way.
Why not simply let things go the way they have been, means with a self-policy? I didn't see any major problem so far, and facts are that 35mm and its lenses are now overlapping into MF's field, like it or not.
What seems more important to me is that one sticks to and cares about the "professional photography" side of this particular forum, which IMO has been the case so far.
Best regards,
Thierry
I agree with you, Thierry. I hope especially that it will show the professional photography rather than Sunday's photography. That's the most important to conserve a high level.
PdF
-
Having started this thread, I’m almost wishing I hadn’t. I posted after reading yet another discussion/debate/argument about which is better. These “discussions” do tend to pop up in threads where they don’t belong, and begin to take on the feel of a virus. They are often (though clearly not exclusively) populated by people who have clearly never used MF and feel the need to criticise those who do – goodness knows why. That was why I had the knee jerk reaction (never advisable, sensible or particularly intelligent) and posted. Often, the discussions either end with someone saying “Enough, it’s horses for courses. Use what’s appropriate for your needs,” or people resorting to sarcasm and insults.
But, trying to be positive, some useful opinions have been voiced and made me think again. Rainer’s comparisons are great and useful because they are made by a skilled (actually, gifted) photographer looking for his own answers. Actually, my plea for a separate space would not have discouraged such comparisons and so I don’t feel bad about that aspect. What has made me consider whether I’m right or wrong is that several people have made the point that 35 and MF are getting closer for most people in most situations. And that makes comparison/discussion legitimate and useful, although I still wonder whether they would be more useful if concentrated in a dedicated space. Someone said we shouldn’t get hung up on titles, I agree, but neither should threads be laden with irrelevancies. It’s not an easy decision but I see no harm in at least asking the question. And I certainly don’t see it as a waste of bandwidth.
Which leads me to a disappointing aspect of this thread and that was the use of sarcasm by some people, one of them I found particularly surprising. When has sarcasm ever moved a discussion in any direction other than downwards?
It was not my intention to offend, merely to divert the irrelevancies somewhere less intrusive. I had hoped it could be a simple exchange of views…should have known better, shouldn’t I.
-
Which leads me to a disappointing aspect of this thread and that was the use of sarcasm by some people, one of them I found particularly surprising. When has sarcasm ever moved a discussion in any direction other than downwards?
I don't know if your referring to me, but I do want to extend an olive branch on the subject. I want MFD for personal reasons. I do my own retouching and love the look of MFD at 100%. As of 2007 35mm became a perfect workflow and all my frustrations are now gone. For me to move to MFD at a cost of $50,000 and then fight all the frustrations of the format just does not make business sense to me... I said business sense, emotionally I love the format. I was truly frustrated to see the Leica S2 not be the 35mm killer it was supposed to be. Now when the 1Ds Mark IV arrives next year what will MFD companies say then? Rise and shift? It is all about workflow (in terms of business needs) and MFD is failing miserably on this point. To all who own MFD, yes your images are better, it is just my customers can't tell the difference.
-
I most definitely DO NOT favor censorship in this thread to "only" MF topics? Just what exactly would that entail? Who would enforce it and how? The OP? If the OP does not like the subject matter, then don't read the thread!
Personally, I learn a lot from this thread. The 35 vs MF threads are of interest to me because I get a lot of information about their relative strengths and weaknesses. I am on the fence about moving to dgital MF and this information has value to me. Is there repetition, and, sometimes, just silly tirades? Sure, but not that often. This forum is very sophisticated and civilized compared to a lot of others out there.
Please, let the information and opinions flow. There are those of us out there that appreciate it.
Guy
-
Hi PCunite. I didn't feel that your replies were sarcastic and I agree with much of what you say. But all the same, olive branches are great things to have offered: I'll use them to make a hide when the heavy flack is coming in.
My position on the subject (MF vs 35), FWIW, is that I really wish I didn't have to use MF EVER. I like to be spontaneous, produce much better work when I am (within my own obvious limitations) and would love the next Canon/Nikon to make it worth MY while to sell my MF stuff. Fact is, I now have a couple of clients who I suspect are closet photographers and are heavily into the technical aspects and demand the highest technical quality their budgets will allow. If I don't give it them, someone else will. Their fees have now paid for my MF kit so I shouldn't complain but given a choice, I'd always take the Canon to work. But I think I'm taking my own thread OT.
edit to answer Guy: No Guy, no way would I want to censor people. Did I ever claim I want to? I don't see suggesting a separate space for discussion as censorship. And neither would I want to be any sort of enforcer. I also learn much from the whole forum. Would you learn any less from the 35MF debate if it had its own space?
-
What does this forum become now? The Temple of Denial?
-
As if it is not confused enough. Let me try this. I just have a nice talk with a friend, non-profssional, but very much into photography, as many here have seen a lot. Today's many serious amatuer may be better than some pros, certainly not nearly as good as those top ones, but bette than some. Same thing about the cameras, and sendors. But this is not to discussed the size and pixel number.
Back on my talk with my friend, we discussed a lot of cameras, from film to digital, from small to big, from a Canon iXus 400 to P65+, from fast like the coming 1Ds4 (or already landed) to Sigma DP-1/DP-2, and from range finder to no finder.
Quality aside, I think one of the biggest difference between medium format and DSLR is speed. But depend on what to shoot, slow and speed is both good. I remember the days when Konica Hexar RF came out, I got one to shoot along with my M6, but quickly find out my M6 produce better image - or I shoot better with my M6 - I guess because I need to work on exposure so the process of making picture involved more elements than simply aim-and-shoot + focus on Hexar RF.
Now with this size and pixel debate, I think what is mattered is how one work on the camera. I joked to my friend that I shoot a higher averaged quality picture from my Sigma DP-1 because it is slow so I want to make sure I got a good one rather than few seconds later I need to repeat the process again - and in those seconds waiting, one can rapid fire tens of pictures, at higher megapixels, with those high end Nikon and Canon. But I realized it is not a joke. Speed gets you a lot of picture, but not necessary the picture wanted. Slow allows (and sometimes force) one to think, and perhpas enjoy more on the process of photography itself as a fine craft. No offence to those who has to shoot fast.
And the speed and preparation is what I think set the medium format and DSLR apart. For me, medium format is not just about larger pictures, it is the process that photographer is more involved in getting the picture although more involve does not equal to better work - sometimes it is and sometimes it is not. But work is one thing, fun is another, to me, using medium format whole day in studio, and at the end of day, I want a cup of coffee to grasp the last bit of photographic excitment. But with DSLR, at the end of day, I am ready to leave.
Regards, K
-
#this time i dont understand you. if 2 or 3 photographers express that they want to see mf ONLY treads and 20 or 30 say
the opposite, which ( nearly ) all are using both systems ( 35 + larger ), where was the problem ?
The problem i believe is that your belief that 'nearly all are using both systems' is inaccurate.
Experienced opinions of both formats (such as yours Rainier) is a great resource and surely welcomed, the problem is that most threads go south as the hardcore 'my 5dII is better than a P65+' group start their broadcasting.
Theres a big difference between someone with genuine experience giving their considered opinion and someone sitting at their office desk in kmart moonlighting as an expert on everything photographic.
For some reason there's a handfull of posters who regularily chime in on mfd threads with looooong posts deriding anyone foolish enough to have purchased anything other than a 5dII or d3x. They seem to hang around here like horseflies waiting to pounce with the now customary bullet pointed list of drivel detailing why 35mm digital is the only sensible option. I doubt most of them have ever held a mfd back let alone seen what you can do with one if you are capable, but they're certainly not busy with either. These posters unfortunately pollute the pond for everyone.
-
I don't have a "brand" name like Rainer but I've being a pro for over 25 years. I've shot film with 35, 6X6, 6X9 and 4X5 cameras. Nowadays I practically do all my assignments with only one camera, suffice to say, a 5D2. Why? Apparently that's all I need these days to keep my clients happy.
I don't pretend to say my 5D2 is better than even a P25, much less a P65+. I'm the first to chime in to say that usually I can see the "delusional" (as some call it) 3D effect from MF pics right from the internet. I'm no enemy of medium format manufacturers or users of its products. I don't own a DB because simply I can't afford it. So that goes for the much said "most of them have ever held a mfd back".
I read this forum because I'm interested in DMF and what it can and can't do. I love posts asking about all the corners in DMF photo taking and answers from those that are lucky enough to own one. I "eat" all the information generated here in this very forum because it helps me understand the differences between these 2 formats.
For the past 6 years, I've been thinking about making the jump to DMF trying to figure it out how to raise this amount of money while at the same time trying to justify it. I loved shooting with my Hasselblad V. I miss it horribly. The huge difference in prices turns it into a real brainstorm and that is what we see here in these forums, nothing else.
The superiority in IQ is real. The advantages in picture making versus expenditure is debatable and perhaps it will always be.
I hope Michael exercises a lot of lax with the new rule. This is quite possibly the most useful and entertaining forum in the world. Let it be!
Best
Eduardo
The problem i believe is that your belief that 'nearly all are using both systems' is inaccurate.
Experienced opinions of both formats (such as yours Rainier) is a great resource and surely welcomed, the problem is that most threads go south as the hardcore 'my 5dII is better than a P65+' group start their broadcasting.
Theres a big difference between someone with genuine experience giving their considered opinion and someone sitting at their office desk in kmart moonlighting as an expert on everything photographic.
For some reason there's a handfull of posters who regularily chime in on mfd threads with looooong posts deriding anyone foolish enough to have purchased anything other than a 5dII or d3x. They seem to hang around here like horseflies waiting to pounce with the now customary bullet pointed list of drivel detailing why 35mm digital is the only sensible option. I doubt most of them have ever held a mfd back let alone seen what you can do with one if you are capable, but they're certainly not busy with either. These posters unfortunately pollute the pond for everyone.
-
I'm against censorship of the forum, but have found it useful for me personally to ignore a small set of posters.
Almost all of the debate over what's better makes the *flawed* assumption that a shooter will only use one camera. Many of us have both MF and 35mm systems and use both for different jobs. Probably most of us also carry either a pocket camera or camera phone too.
-
Well, I will post in support of Michael's move, although the name ended up a little longer than I had hoped
I think that there are very few people who want no 35mm talk whatsoever, but there are equally few who want the forum to talk primarily about 35mm. The problem is the balance, and where to put it. The old name was fine, the new name will be fine, but something happened with the name in between, and I wasn't the only one to notice it: a lot more of the pointless "35mm vs. MF - which is better" topics and posts suddenly appeared.
I think the sensible thing to do is to *promote* and *encourage* this forum as an MF (and up) discussion arena, and *allow* the occasional side discussion of various aspects of 35mm vs. MF, such as Rainer's interesting 17 T/S vs. Rodenstock 23mm, or Christopher Barrett's D3X vs. P65+ at the pixel level thread. Those were informative and useful.
-
This is why I consider MFD to be a personal choice.
The real point I am making is that we choose the format we want for ultimately personal reasons as most of us could convince any customer that the image they are looking at was made with the finest equipment and given a few years we ourselves will forget which camera took the picture. All these micro differences between them are simply lost when you step away from the computer and look at the image on the wall from five feet.
I just wish current MFD owners would just be honest and say they are guilty of perfectionism instead of going on and on about how they have to use $40,000 backs for business reasons. I want a Bugatti Veyron to make travels to the post office more enjoyable... but really... I just don't need it.
It is not a simple choice across the board.
I am not sure about a wall from 5ft, but....
When you see a Cartier ad, Chanel, Tiffany, High end watches, perhaps even beauty, cosmetics... you don't compromise, period.
You make the best image possible. that right now it's a MFdB. This is not by personal preference, it is to stay competitive, and demand the best work from yourself possible. The sharpness you get, the meaty 16bit file you get(that will be PS edited), is the standard. Its not a matter of convincing someone, it is seeing it in print, and seeing that there is this edge of overall "tacky snap polish". Most agencies in this area know exactly what they are dealing with. When you see them side by side is when you will get the "aha" factor, Until you have tested this for yourself, you will always argue the 2.
I will admit I have not used the latest in 35, as I was an early adopter of working with the kodak SLR (closest to MFdb so far as I have seen), and then a 1Ds (much better than the Kodak on almost every point, but not 3D quality). Once I used the MFdB, I have not looked back....But I will always try new things.
Sometimes I wish Kodak would take all they learned in this past, and from their shortfalls, and apply it to making another 35(or larger, SLR like body) camera and include some of the great featuers the Pro-SLR had. The good ideas were there. Or its time for Canon(or Nikon) to step up and offer 16bit files, without a AA, and maybe without a mirror(if that would work?), 1200+HD or more live view, more flexible lens options with bellows...... Then the lights are out.
-
is it the place here for doing such comparisons as i did recently or no.
Rainer,
I thought your comparison was very useful - thanks for sharing that. What made it useful was that you had both cameras and you made a real life test. I'd like to see more like that AND less of the armchair conjecture by software geeks who don't even own cameras.
Eric
-
When you see a Cartier ad, Chanel, Tiffany, High end watches, perhaps even beauty, cosmetics... you don't compromise, period.
You make the best image possible. that right now it's a MFdB. This is not by personal preference, it is to stay competitive, and demand the best work from yourself possible. The sharpness you get, the meaty 16bit file you get(that will be PS edited), is the standard. Its not a matter of convincing someone, it is seeing it in print, and seeing that there is this edge of overall "tacky snap polish". Most agencies in this area know exactly what they are dealing with. When you see them side by side is when you will get the "aha" factor, Until you have tested this for yourself, you will always argue the 2.
For beauty work, real beauty work that was shot on 4x5 or 8x10 in 2005, a back is where its at. No question. For products a back is a better choice, because the file is better, and there are fewer set ups, less time constraints than with fashion/lifestyle. When I shot beauty regularly I used a Sinar 54m on the RZ, bolted to a Gitzo Studex, then the Aptus 22, P25, P45, then I bought a P30+ and stopped shooting beauty. I also shot a few beauty editorials with teh 1ds2, and you know, they looked great in the mag, at least no one said they looked 12 bit. The only person who bitched was the retoucher.
If I were shooting beauty today I'd use a Leaf 54s, which is what I own. But for fashion and lifestyle, the backs are cumbersome, need too much light, and don't really give you too much of a better file, especially under HMI or window light, which is the prevailing style in my markets.
-
Like it says in the title, Michael, any chance of removing (banishing?) this endless and pointless debate to its own little space then all the people who find it worthwhile can go there and fight themselves to a standstill while the rest of us can get on with exchanging useful info about MF BACKS? I know we don't have to read them but they crop up often and really don't belong here. Goodness knows how much bandwidth they must waste.
I'd rather opt for more sex activity.
-
What strikes me is that some people still talk about MF with prices up to $50,000.00 in mind.
That proves they are not aware of the current market where you buy a complete set NEW for app 10,000.00 the price of a 1dsMK with a good lens.
Look second hand and you buy a RZ67proII with WLF lens and film back for under 1000.00 add a used aptus 22 for maybe 3000.00 and you're in business for less than a 1D with a good lens.
Add to that the lenses for the RZ are app 100.00-300.00 each on the second hand market and blow away any other glass and that whole discussion on price is rendered useless.
It strengthens my opinion that most people in these discussion never worked with MF seriously and don't even know what you can buy. Offcourse you can spend a lot more but 22MP is a great ammount of pixels and more than adequate for most.
But it's all horses for courses I understand why some/a lot of people are prefering a DSLR however don't force that down the throat of MF users as the ultimate truth becaus all MF users I know also own a DSLR so the reallyknow thedifference on a day to day basis.
-
I find interesting to compare 35mm vs Medium Format
-
I find interesting to compare 35mm vs Medium Format
I do too, as long as it comes from knowledge of experience or contributive addition, insite, it is surely worth the digital space.
But to have people intrrupt a healthy thread with sideswipes of "Well you can do it much easier with a 35" or "the new xxx is just as good quality as your MFx" is a pure waste of digital space.
Its just another harddrive Michael...Hitachi's are on sale for $70 per 1TB...perhaps we have room for the discusion afterall...Maybe Michael can add a toggle that allows the viewer to display the 35 remarks, or fade them grey. It would be interesting to register with your gear info so those that are 35exclusive, can be greyed out...hahahaha. You get best of all worlds...35ers can post, and everyone can read..if it is in the way...toggle it out.
I think I just discovered a new way of forum posting to filter relevant content! I will call it...."Philfader"
Soon all forums will use Philfader. You will hear people saying..."Ya I just hit the PhilFader button, and I got to my info without a hickup". Everytime you use the PhilFader button, I will have licensed it out with Royalty everytime it is used. I will make very affordable, so every forum will use it, and I will be filthy rich, just by the numbers....mmmuuhaaahhahaha!!
Michael...PhilFader is now copyritten as this posting goes live....You will be the first...And you get it for FREE...Well besides maybe dropping that heavy loaded MF back, since you like the new Leica to lug around so much.....Ok, maybe I can borrow it sometime, for $hits and giggles.
Ok...so...All registrations would change and require more info...just like when you subscribe to a magazine...."How large is your company 10-100 employs ?"..."What is your position?" Do you make purchasing decisions?" (thats the one they wanna know) etc....Except, here it would be much more simple....In fact it was optionally available when you registered...."What gear do you use/own?"
tbc
-
I am reluctant to enter this debate, but it seems to me that perhaps a more useful way to segregate the discussions would be by subject. i.e., Fashion/Portraiture, Architecture, Landscapes, Food, etc. Then you could go where the subject interests you, and see which tools are being used to get the job done. I guess this would bring the focus onto how to go about achieving the end results, rather than on certain categories of cameras. (This especially makes sense when you consider that almost any pro camera these days can be used successfully for almost any purpose. Almost.)
I am not so presumptuous as suggesting that Michael change the site based on my suggestions here. They are just thoughts...
-
I am reluctant to enter this debate, but it seems to me that perhaps a more useful way to segregate the discussions would be by subject. i.e., Fashion/Portraiture, Architecture, Landscapes, Food, etc. Then you could go where the subject interests you, and see which tools are being used to get the job done. I guess this would bring the focus onto how to go about achieving the end results, rather than on certain categories of cameras. (This especially makes sense when you consider that almost any pro camera these days can be used successfully for almost any purpose. Almost.)
.
I agree.
-
Like it says in the title, Michael, any chance of removing (banishing?) this endless and pointless debate to its own little space then all the people who find it worthwhile can go there and fight themselves to a standstill while the rest of us can get on with exchanging useful info about MF BACKS? I know we don't have to read them but they crop up often and really don't belong here. Goodness knows how much bandwidth they must waste.
Perhaps some of you kind folks need a history lesson. Anybody here remember when the Medium Format sub-forum got invaded by the former Rob Gailbraith shut down? The main reason Rob shut the forums down was his heavy handed attempts at trying to moderate out "misbehavior" repeatedly failed. People will, as they are inclined to do, get into "dustups" (my version of a shouting match online).
If this sort of spirited debate tends to ruffle your feathers, you really only have a couple of choices as a forum manager...let things go as far and as long as possible with as little heavy handed attempts at moderation and only shut down threads when they spin completely out of control or try to moderate out misbehavior and try to enforce a civil, polite environment...
Rob tried to do the latter up to the point that he gave up in disgust and decided to shut the whole forum down. He "transfered" the forums to a 3rd party that was going to run a clean ship and charge people to be members...yeah, like that would fly. It didn't...
A substantial percent of the old "Gailbraith Forums" came here and started posting here...as I recall, the then "forum regulars" were a tiny bit put out...but Micheal welcomed them with open arms (and little if any moderation–in stark contrast to what his fellow Canadian Rob Gailbraith was determined to do).
Michael is pretty hands off...you know why? He's got other things to do...and this isn't a paid gig so nobody is paying him to put up with any crap from anybody...if a thread get's too heated, it's closed...if a person gets way out of hand, he's banned. Other than extreme edge cases, the forum is live and let live...
If you don't like participating with yet another DSLR VS 60PM medium format back debate, you know what your options are...don't read the thread, don't post to the thread, don't "care" about the thread...engage in the threads that interest you and shut the heck up in thread that don't (yet you feel compelled to put your 2¢ in to).
If you find a person who personally rankles you (as I'm sure I do to some), there's this wonderful "Ignore" feature that allows you to not see ANYTHING they write (unless you actively decide to–and if you do glance, it's your own darn fault if it pisses you off).
DSLR/Medium Format, Canon/Nikon, Mac/Windows, Catholic/Jew all share the same basic tenets...they exist based on a belief system that becomes increasingly difficult to defend or argue. As the emotions increase, the logic and intelligence takes a back seat...
The way to deal with it is don't deal with it...move along and find something else that interests you. If a few combatants want to duel to the death, let them (at least till Mike decides to shut it down).
But unless you want to make your forum management and organization official and YOU want to volunteer (cause Michael ain't gonna pay you) and be in total control of this forum's management (a job I wouldn't want), maybe you all should settle back, enjoy the holidaze and decide for yourselves what YOU want to do...
Happy holidays...
-
Perfectly on target, Jeff. Well said.
Eric
-
Like it says in the title, Michael, any chance of removing (banishing?) this endless and pointless debate to its own little space then all the people who find it worthwhile can go there and fight themselves to a standstill while the rest of us can get on with exchanging useful info about MF BACKS? I know we don't have to read them but they crop up often and really don't belong here. Goodness knows how much bandwidth they must waste.
The real solution to this is in:
- getting rid of categories all together,
- making it mandatory to tag all posts with relevant key words
- more or less automated tagging based on post content,
- federation of posts tags at the level of the thread,
- tolerant searching based on the probability of tags appearance in a thread
We could still have apparent categories for those not willing to define their own search criterias, but they would basically sort threads based on the actual content instead of sorting them based on the place where they were started... This is the application of the indexation paradigm shift to the old style catagory based forum concept.
I would develop this next generation forum engine if I had the time...
Based on the new set of rules, as a law abiding webizen, this might be my last post in this forum. I'll come back the day MFDB start to offer live view capability.
OR... we decide to all accept that the largest [virtual] sensors around are those resulting from the use of stitching?
Cheers,
Bernard
-
the best suggestion in this post was to take a cup of tea
-
Jeff – Thanks and Amen!!!
and a safe and healthy holiday season to all.
Michael
-
OK. Time to be big enough to admit that my original post was clumsy and offended a few people. Please accept my apology for that. I should have phrased the topic as something for people to consider, ie, are there too many 35 vs MF battles and do they intrude too often in otherwise constructive discussions.
Criticism of wanting censorship and thought police were, considering the form of my original post, quite justified. Hopefully that will teach me to think before I post. I certainly wouldn’t want to impose my views on people and I think Michael does a great (time-consuming) job in moderating the forum. There’s no way (agree with you, Schewe) that I have the right temperament for that.
The consensus of the responses was, I think, that things are ok as they are. Michael made a slight change to the title but even that upset a couple of people. So I’m happy to go along with how it is. And I promise to be more diplomatic in future. Sorry again and the best of the season’s greetings to everyone.
-
it is not really important stewarthemley
-
Wow jeff,
Now can you please tell Michael to change from 185 photographers to 186.
is only one more, and Christmas is tomorrow.
Here is my reindeer to wish to all Merry Christmas
-
Jeff – Thanks and Amen!!!
and a safe and healthy holiday season to all.
Michael
Same here Jeff.
And to Michael: thanks for keeping cool and maintaining this forum.
Happy Holidays and a great 2010 for you and the people of this forum.
Bart
-
Merry Christmas and all that .
Re. the thread title : I'd welcome a strictly professional MFDB discussion, which excludes not necessarily any comparisons with other formats, but all the 'is it better/necessary/class struggle' noise.
Quite frankly, I don't think anyone not owning or having a degree of experience with MFDBs has much to contribute in this forum section.
But it's a public message board - generously provided and well maintained by Michael - and it attracts all kinds of users .
Not a bad thing, yet with a rather small percentage of actual MFDB users present, it's no surprise the threads aren't always related to professional topics.
-
Quite frankly, I don't think anyone not owning or having a degree of experience with MFDBs has much to contribute in this forum section.
say ain't so, maynard ... : o
i ain't got no MoFoDB but once in them blue moons i likes to contributes too ... ; )